Foundations of Urban Design
Marcel Smets
The book is structured into twenty-nine essays, each dedicated to a pair of urbanistic concepts. Discussing historical and contemporary, interpretive and designerly approaches to urbanity, the notions composing the 29 pairs relate dialectically, as theses-and-antitheses. Still, we are warned, ‘the presented antagonisms are not a priori in opposition, but rather complementary.
“With this book, Marcel Smets not only offers an inspiring vocabulary to describe the spatial features of the city but, above all, a unique dictionnaire raisonné to discuss past and future interventions in our largest man-made artefact.”
Tom Avermaete, Chair for the History and Theory of Urban Design, ETH Zürich.
Smets’ fundaments may be likened to emblems. A Renaissance genre, proliferating before the Industrial Age, emblems are complex knowledge repositories, their meaning emerging at the intersection – but not as ‘sum’ of – a title, a text and an image. The paired titles, the written analysis, alternating abstractions and historic references,
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The Mannerist Mind
An Architecture of Crisis
Francisco González de Canales
Art critics between the seventeenth and nineteenth centuries imprinted a long-standing derogatory meaning to the word “mannerism”. Even though scholars such as John Shearman or Wolfgang Lotz rehabilitated the term to a certain degree during the twentieth century, it is still uncommon nowadays to find the expression “mannerist” used without certain pejorative connotations—connected to everything which is affected and contrived, or characterized by unnecessary gestures and excessive self-references.
While the term has barely been revised within the shared vocabulary of architects, the presence of an attitude that may be identified as mannerist is more evident than ever within a significant range of design decisions of the architecture that is produced in Europe today, including practices such as Lutjens Padmanabhan, architekten de vylder vinck taillieu, Ted’A, 6a architects and Office KGDVS, among others. This book provides a contemporary revision of the mannerist attitude for the
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Spatial Infrastructure
Essays on Architectural Thinking as a Form of Knowledge
José Aragüez
José Aragüez's second book revolves around a new concept in architecture, spatial infrastructure, that operates both as a design tool capable of projecting architectural thinking forward, and as an analytical category that shifts our understanding of the history of the field and contemporary production. Taken together, the collection of essays presented here investigates some of the most intractable issues pertaining to architectural discourse, while also examining scientific, critical, and cultural dimensions where relevant. Key subjects include a building’s discursive building, engineering patents and spatial disposition in architecture, typological invention and sponge surfaces, “the organic” at the intersection of architecture and philosophy, imageability in the context of an evolving market economy, language vis-à-vis self-determinacy in creative practices, a building’s spatial kernel, and the possibility of architectural metacriticality. Building upon each other to engender a coherent and distinct outlook on twentieth-century and contemporary
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UNIDENTIFIED FLYING OBJECT FOR CONTEMPORARY ARCHITECTURE (ENG ED.)
UFO’s Experiments between Political Activism and the Artistic Avant-garde
Beatrice Lampariello, Andrea Anselmo, Boris Hamzeian (eds.)
The contemporary context is defined by a unique conjuncture. On one hand, we witness the revival of the Radical Architecture that from the avant-garde experiments of the origins recovers creative processes and iconographic fragments while nullifying the original ideological and political values.
On the other hand, we see social protests in defense of fundamental rights of democracy, as in 1968. With these premises, Architecture is now reinvestigating those ephemeral experiments that have endured half a century as new “stone monuments” capable of indicating new perspectives for both research and design. Placing UFO group, one of the authors of those still poorly known “monuments”, at the core of the contemporary debate means investigating their formal and seductive aspects, but also the ideological, political and social values with which objects, installations and happenings have been innervated, transforming them into
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UNIDENTIFIED FLYING OBJECT PER L’ARCHITETTURA CONTEMPORANEA (IT ED.)
UFO’s Experiments between Political Activism and the Artistic Avant-garde
Beatrice Lampariello, Andrea Anselmo, Boris Hamzeian (eds.)
The contemporary context is defined by a unique conjuncture. On one hand, we witness the revival of the Radical Architecture that from the avant-garde experiments of the origins recovers creative processes and iconographic fragments while nullifying the original ideological and political values.
On the other hand, we see social protests in defense of fundamental rights of democracy, as in 1968. With these premises, Architecture is now reinvestigating those ephemeral experiments that have endured half a century as new “stone monuments” capable of indicating new perspectives for both research and design. Placing UFO group, one of the authors of those still poorly known “monuments”, at the core of the contemporary debate means investigating their formal and seductive aspects, but also the ideological, political and social values with which objects, installations and happenings have been innervated, transforming them into
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Climax Change!
How Architecture Must Transform in the Age of Ecological Emergency
Pedro Gadanho
Climax Change! offers an overview of how the current environmental emergency will impact the practice of architecture. At a crossroads in which the construction sector and built environment produce nearly 40% of greenhouse gases accountable for global warming, architects are just starting to acknowledge their complicity in an impending disaster.
In need of a paradigm shift similar to that of the Modern Movement, architecture desperately requires clear guidelines and targets so as to operate its inevitable transformation towards an ecologically-friendly design logic. From historical analyses of ecocide or the environmental avant-gardes, to topics such as decarbonization, degrowth, the Great Transition and the aspirations of Green New Deals, this book features ten essays around today's climate change debates, bringing them home to architectural thinking.
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Domesticidad a la Intemperie (SP ED.)
Sobre las relaciones entre árboles, arquitectura y habitantes
Ricardo Devesa
The first part of this publication is to present a collection of exemplary five houses that evinced explicit relationships with preexisting trees. The five twentieth century projects are: La Casa (B. Rudofsky, 1969), Cottage Caesar (M. Breuer, 1951), Ville La Roche (Le Corbusier & P. Jeanneret, 1923), Villa Pepa (J. Navarro Baldeweg, 1994) and Hexenhaus (A. & P. Smithson, 1984-2002). The second part of the book is to contribute with three theoretical concerns for the contemporary project, those ones which are established in the process, with respect to time, place and outdoor domesticity in modern western housing.
One of these theoretical contributions establishes that any house located on a site finds a significant place in conjunction with the preexisting trees. The second contribution describes the effects in terms of time, in addition to spatial considerations, which trees can contribute to the architectural project.
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Outdoor Domesticity (ENG ED.)
On the Relationships between Trees, Architecture, and Inhabitants
Ricardo Devesa
The first part of this publication is to present a collection of exemplary five houses that evinced explicit relationships with preexisting trees. The five twentieth century projects are: La Casa (B. Rudofsky, 1969), Cottage Caesar (M. Breuer, 1951), Ville La Roche (Le Corbusier & P. Jeanneret, 1923), Villa Pepa (J. Navarro Baldeweg, 1994) and Hexenhaus (A. & P. Smithson, 1984-2002). The second part of the book is to contribute with three theoretical concerns for the contemporary project, those ones which are established in the process, with respect to time, place and outdoor domesticity in modern western housing.
One of these theoretical contributions establishes that any house located on a site finds a significant place in conjunction with the preexisting trees. The second contribution describes the effects in terms of time, in addition to spatial considerations, which trees can contribute to the architectural project.
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Green Obsession
Trees Towards Cities, Humans Towards Forests
Stefano Boeri Architetti
Cities have contributed for centuries to the promotion of some of humanity’s greatest ideas, we must now urgently include them as among the principal players in the environmental debate and at the forefront of any policy tackling climate change. Nevertheless, even today one of the most significant technologies capable of absorbing CO2 and restoring our environment is photosynthesis. Planting trees, in addition to protecting, restoring and managing existing natural areas and biodiversity, together with de-carbonization, renewable energies, digitalization, smart mobility and the circular economy could be the set of tools necessary to counter the climate crisis.
Today the effects of the Anthropocene age are ever more visible, changing our environment and affecting every species that lives within it. Green Obsession offers a path to be taken, a hard but still necessary paradigm shift –even for architecture and urbanism– that aims to give a voice to this much needed ecological transition. This book aims to unveil the processes and the complexity involved in the search for a new kind of
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Strange Objects, New Solids and Massive Things
Archi-Tectonics
Winka Dubbeldam/ Archi-Tectonics
A manual for a non-standard approach to research and design in architecture. For close to a century, modernism was the norm, presented to culturally aware citizens as the expression of modern life. It arrived hand in hand with medical advances, mass standardization, and a shared ideal of what the ease and speed of the modern lifestyle could offer. Only in the early years of the 21st century did our widespread allegiance begin to shift away from modernism and towards a new social realm. The digital revolution introduced online societies, niche cultures, and digital design. Digital manufacturing facilitated opportunities of surface patterning and the fabrication of one-off special building components, removing the constraints of standardization in the construction industry and celebrating the experimental. Testing designs through prototypes allows for a much more informed decision-making process. The focus is on precise, rigorous research and development, rather than the usual representational
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Lewerentz Fragments
Jonathan Foote, Hansjörg Göritz, Matthew Hall, Nathan Matteson
Through new essays, recently discovered archival material, photography, and drawings, the publication Lewerentz Fragments explores the architect’s body of work spanning three-quarters of the twentieth century. Comprising writings from all the major scholars on Lewerentz’ work, along with several new voices, this publication offers new insight into the context surrounding this architect’s work. Rather than focusing on a single thesis, the book offers a diversity of insight from multiple cultural and professional perspectives. In addition, previously unpublished translations of interviews and dialogs among the architect and his contemporaries offer a voice to the ‘silent architect’ altering the traditional interpretations of the work and digging past the surface of what might be considered his philosophy of building. Rather than serving as an introduction to the architect’s work, this volume provides detailed fragments as a deep and diverse dive into one of the most mysterious
Portals
Portals: Pedagogy, Practice, and Architecture’s Future Imaginary (RISD 2020)
Amy Catania Kulper, Kevin Crouse, Jennifer Liese (eds.)
This book documents an interregnum, a pause, a moment of self-reflection in which architects, imperiled by the COVID-19 pandemic and all of the forms of inequity that this global crisis surfaced, confronted remote architectural pedagogy and practice as a critical threshold for the future imaginary of the discipline. The renowned group of architects, educators, theorists, critics, and curators assembled in this volume provide critical insights into the future of architectural pedagogy, utilizing the thesis and design research projects of the RISD Architecture class of 2020 as exemplars of the transformations currently taking place in the field. This volume considers the forms that architectural activism and advocacy take in a moment when architects are critically reexamining the conventions of their practice and the question of which constituencies they serve.
With Contributions of
RISD B.Arch & M.Arch students with
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MIAS Architects at Centre Pompidou
Josep Miàs
Tracing through the pieces being published, you sense that Josep Mias is essentially a man who takes strips and edges and develops them into meshes, and then maybe combs, and then maybe honeycombs with a conspicuously boyish delight in making the sketch, the linear diagram, the scale model and the built building.
Underlying the apparently fearless is a sense of what can fly, swing, lurch, lean or rest: in other words the composite that makes something possible to be as it is in space.
With contributions of Peter Cook
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Geometric Taxonomy (ENG ED.)
Carlos Ferrater, OAB
Geometric Taxonomy gets closer to the geometries of Carlos Ferrater and OAB that are present in timeless architecture, those that are explicit in the great treatises, those that dazzled us with "the correct and magnificent wise play of forms under the light", the elemental forms that inspired modernity a hundred years ago. __ Ignacio Paricio
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Taxonomía Geométrica (SP ED.)
Carlos Ferrater, OAB
Geometric Taxonomy gets closer to the geometries of Carlos Ferrater and OAB that are present in timeless architecture, those that are explicit in the great treatises, those that dazzled us with "the correct and magnificent wise play of forms under the light", the elemental forms that inspired modernity a hundred years ago. __ Ignacio Paricio
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Mute Icons
& Other Dichotomies of the Real in Architecture
Marcelo Spina & Georgina Huljich with Constance Vale/ P-A-T-T-E-R-N-S
Interrogating historical, contemporary, and — more importantly— speculative images, ‘Mute Icons & Other Dichotomies of the Real in Architecture’ aims to construct a viable alternative to the icon’s cliché and exhausted form of communication, positing one that is decidedly introverted and withdrawn. Developing a language and a sensibility for discovering simultaneous, contradictory, and even unexpected readings of architectural form, Marcelo Spina & Georgina Huljich / PATTERNS’s new book Mute Icons, aims to carve out a niche in contemporary culture and history by suggesting that far from being a crowd-pleaser, architecture can persist within society as a constructive cultural and social irritant.
No longer concerned with narrative excesses or with the "shock and awe" of sensation making; the mute icon becomes intriguing in its deceptive indifference towards context, perplexing in its unmitigated apathy towards the body. Object
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The Threefold Logic of Advanced Architecture
Conformative, Distributive and Expansive Protocols for an Informational Practice: 1990-2020
Manuel Gausa, Jordi Vivaldi
This work proposes a threefold cultural narrative whose interactive and informational logic differs from that of modernity and postmodernity. It positions three different ethos by critically approaching the architectural side of a cultural mutation that has been affecting the Western experimental areas of knowledge and practice since the end of the last century. A transformative process constituted by a constellation of transdisciplinary manifestations, accelerations, turns, shortcuts and clusterizations that by no means can be read under one single epistemological umbrella. In this sense, rather than approaching the practice of architecture focusing on its disciplinary inner specificity, this book approaches the research of experimental architecture focusing on its extra-disciplinary entanglements. It argues that a vast multiplicity of fields of knowledge participates in a cultural endeavour modulated through three protocols -forms of action- that singularize three decades: Conformative Protocols (1990-2000),
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100 Rooms
Many Untold Parables of The Empty Room
RZLBD (Reza Aliabadi)
The Empty Room, in the absence of any visual materials, was a written manifesto composed of RZLBD’s poems and collection of quotes intended to portray the room and the emptiness as the essence of architecture. Now, 100 Rooms complements our own blurry images of the empty room with a visual guide. Each spread consists of a plan and a physical model of a room, which is an excavation of the geometry and order inherent within the square. It holds no design intention — no scale or function — but simply one of infinite possibilities that emerge from a square. This framework suggests that the formal expression of a room comes from within. With these visual references, one can begin to imagine many approximations to the empty room. A line on paper is always less, as Kahn says, but through these measurable means,
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Architecture and Dystopia
Dario Donetti, Marco De Michelis, Oliver Elser, Dominique Rouillard, Marco Biraghi, Marie Theres Stauffer, Maddalena Scimemi, Simon Sadler, Massimiliano Savorra, Anthony Vidler
As a response to the profound crisis of Western culture the emerged in the 1960s, radical artists from Italy, Austria, England and Japan called into question the foundations of modernist utopias. They transmuted the difficulties of capitalism into a repertory of startling images that revealed the disturbing realities of consumer society, even in those places still resistant to the penetration of modern architecture, such as Superstudio and Archizoom’s Florence. Their model, though exhausted in the space of experimentation, went on to inspire a generation of architects, from the High Tech movement to Rem Koolhaas, who sought to employ the paradigm of dystopia as both a visionary and a constructive method, one which could operate on the architecture of late capitalism and generate unexpected possibilities for urban planning.
In the light
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Critical Prison Design (ENG ED.)
Mas d’Enric Penitentiary by AiB arquitectes + Estudi PSP Arquitectura
Roger Paez
The newly built Mas d’Enric penitentiary sparks a series of reflections on architecture’s role in the problematic subject of prison design.
The prison is an uncomfortable institution and its architecture is often subjugated to technocratic criteria. This servility forces the prison out of the socio-cultural realm where it belongs, thus erasing it from public discourse. “Mas d’Enric” is a new penitentiary that overturns preconceptions and posits architecture as a medium to critically rethink contemporary prison buildings. The discussion is enriched by contributions from a number of influential architects and architectural theorists, and is complemented by original work in film, photography, literature, sculpture and visual arts.
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