Continuities Between Humans, Spaces, and the Earth Alper Derinboğaz Architectural history is a fragment of the long evolution of forms of habitat. The shape of the lands and the way we inhabit them are at the root of all architectural endeavours. However, our established conception of architecture is based on a hierarchy between nature and culture. Modernity and its break from the vernacular has led to a crisis of connections which we are experiencing the effects of. To move towards an architecture more in tune with earth, we need to think in continuities, looking at the emergence of natural forms, the history of human inhabitation and the future of fabrication technologies. What if we see buildings as iterations of nature rather than artificial objects? This book is an extended visual essay of ideas, images, drawings and projects that follows the work of Alper Derinbogaz over the past decade, framing an approach based on
Cities & Rivers
aldayjover architecture and landscape Iñaki Alday, Margarita Jover 49 A selection of architecture, landscape and urbanism works from aldayjover | architecture and landscape, an office based in Barcelona-Spain and Virginia- United States. A collection of projects –designed from their local and territorial DNA– that respond in new ways to the global socio-ecological crisis in which we have been in engaged with since the beginning of the 21st century. Featured works include public spaces, architecture and urban studies that incorporate natural dynamics and that also emphasize –recovering in some cases– legal access among all citizens and equal access to the city and its opportunities. The works presented are particularly renowned given their leadership role in a new approach to the relationship between cities and rivers, in which natural dynamics become part of the public space, eliminating the effect of “catastrophe”.
African Fabbers Atlas
Manual of Synthetic Vernacular Architecture Paolo Cascone Based on almost ten years of applied research of Paolo Cascone and his CODESIGNLAB practice in Africa, the book investigates the potential role of indigenous and spontaneous architecture in the contemporary debate on sustainability in architectural design. How to respond to climatic changes reconciling nature with tekné? What is the social role of technology? How architects would reconsider their practices supporting community-oriented projects? These questions are discussed through a number of paradigmatic projects and conversations between the author and a panel of experts from different backgrounds in order to shape an interdisciplinary approach that bridges different knowledges. The theoretical assumption for this investigation is based on the observation of cause-effect relations, between different urban and architectural configurations and their performances: social, environmental, structural etc. in both pre-colonial and informal cultures around Africa. The diachronic approach intends to generate, after many years of post-colonial studies, an operative agenda of possible
Translations from Drawing to Building and Other Essays
Robin Evans ‘What makes this book so captivating is not just the individual insights, but also the intensity of Evans's vision and the coherence of his approach.’ —Joseph Rykwert, Harvard Design Magazine This book brings together eight of the most interesting and significant essays by the unequalled historian Robin Evans, author of The Projective Cast. Written over a period of 20 years from 1970, shortly after his graduation from the Architectural Association (AA), to 1990, the essays cover a wide range of architectural concerns: domestic space, society’s involvement with building types, aspects of geometry, modes of projection and drawing as a process for generating ideas. The book includes 'Mies van der Rohe's Paradoxical Symmetries' and other essays first published in AA Files. Evans's writings are supported by a new introduction and an annotated bibliography by Richard Difford. This AA Documents publication is a re-edition of the 1997 essay collection originally published by AA Publications.
Sub-Urbanism and the Art of Memory
Sébastien Marot This book is a sub-urbanist manifesto. Its author, Sébastien Marot, challenges the dominant role of the programme in regulating the design project, and argues that instead attention should be redirected towards the site – the site read in depth, with an active regard for memory. Exploring this analysis, he considers in turn Frances Yates' book The Art of Memory, Sigmund Freud's analogy between the past of a city and the workings of memory, Robert Smithson's account of a tour of his suburban birthplace and Georges Descombes' design for a small park in the Geneva suburb where he spent his childhood. Marot’s conclusion brings these different strands together and highlights, in memory, a precept that is essential to the renewal of current architecture. This AA Documents publication is a re-edition of Sébastien Marot’s Sub-Urbanism and the Art of Memory, originally edited by Pamela Johnston and published by AA Publications in