Un-Conscious-City

Un-Conscious-City

Wiel Arets No one demands that people move to cities; people tend to do so, on their own. People choose to move to cities for opportunity. Such choices are often made unconsciously, as they are based on rules, traditions, and local communities–or a combination of all three. Un-Conscious-City explores and unravels Dutch architect Wiel Arets’ kaleidoscopic viewpoints on the ways the collective, unconscious decisions taken by the world’s citizens throughout time–a process that remains invisible to the naked eye–are now working to transform and shift the physical, sensory, and emotional experiences of human beings, as they navigate and live in today’s metropolises as well as the countryside. People tend to only belong to one religion, one society, or one club–which completely defines their existence. One day most human beings will live in a global­nomadic-urban-condition; this will soon be amplified to unknown heights. Un-Conscious-City raises questions, predicaments, and ideals regarding the future of our cities, while recognizing their limitations. Wiel Arets–renowned architect, writer, and thinker–identifies this condition as the Un-Conscious-City. DAM Deutsches Architekturmuseum International Architecture Book Award 2019 The Best Dutch Book Design (De Best Verzorgde Boeken) 2019 EBOOK VERSION
GSD Platform 10: Live Feed

GSD Platform 10: Live Feed

Jon Lott & John May Platform 10: Live Feed is the latest installment of Platform, Harvard University Graduate School of Design’s annual compendium of select student work, events, lectures, and exhibitions. Platform 10: Live Feed confronts a central paradox: the “live feeds” of our lives are exponentially more mediated than the analog forms of documentation they are so quickly replacing and erasing. This fact, in combination with the rapid manipulability endemic to all electronic media, now presents us, its users, with radically new conditions of knowledge and imagination. Under these conditions, real-time platforms for meaningful self-expression and fictionalization are inextricably tied to the novel consequences—political, ethical, epistemological—of a world in which distortion, simulation, and manipulation are often indistinguishable from their opposite. Platform 10: Live Feed is a document of images presented in reverse chronological order from July 2017 to August 2016. Pulled from a crowd-sourced database of 117,518 available files, this “live feed” of the institution samples images from students, faculty, and staff alike, revealing the fluidity between the place, production, and people of the Harvard University Graduate School of Design.  
GSD Platform 11: Setting The Table

GSD Platform 11: Setting the Table

Esther Mira Bang, Lane Raffaldini Rubin, Enrique Aureng Silva Platform 11 is the 2017–2018 installment of Platform, the annual compendium documenting select student work, events, lectures, and exhibitions at the Harvard University Graduate School of Design. Produced annually, this compendium highlights a selection of work from the disciplines of architecture, landscape architecture, urban planning and design, and design engineering. It exposes a rich and varied pedagogical culture committed to shaping the future of design. Documenting projects, research, events, exhibitions, and more, Platform offers a curated view into the emerging topics, techniques, and dispositions within and beyond the Harvard GSD. In Setting the Table, the first student-led installment of the series, editors Esther Mira Bang, Lane Raffaldini Rubin, and Enrique Aureng Silva assemble a diverse body of work and cut it up—reinterpreting, rearranging, and ultimately composing a poetry revealed in each retelling.
Imminent Commons: Live From Seoul

Imminent Commons: Live from Seoul

Hyungmin Pai, (ed.)

The fourth book from the Seoul Biennale 2017 explores the sites, exhibition installations, and diverse array of programs that were realized during the Seoul Biennale. Imminent Commons: Live from Seoul is Centered on the Live Projects sections (Production City, Urban Foodshed, Walking the Commons) and the Public Programs, the book highlights Seoul's complex urban fabric as a theatre on which the Seoul Biennale was played out. It is a book that focuses less on individual installations and more on the biennale as a specific set of places. It shows how much the character of theses places is an integral part of the Biennale's cosmopolitan, transnational gaze. The book includes essays by Hyungmin Pai, Hyewon Lee, Yerin Kang and Jie-Eun Hwang, Soo-in Yang and Kyungjae Kim, Soik Jung, E-Roon Kang and Wonyoung So, Won-joon Choi, John Hong, Kyubg Yong Lim, Sunjae Kim, Nayeon Kim, Dongwoo Yim and Calvin Chua, OBRA Architects, with photographs by Kyung Sub Shin and Suyeon Yun.

KERB 24

KERB 24

Louella Exton, Kim Morte, Hayden Matthys, Millicent Gunner, Emma Groot

Kerb Journal is a 24 year running, produced by the Landscape Architecture program of RMIT University. 2016 sees Kerb24 focus on the thematic of  Territory and its place in the discourse of Landscape Architecture and the broader design industry. Territories start off as nonphysical, often simple ideas, emerging in the physical and becoming a perpetual mixture of the two. Often formed to acquire resources, yet inherently a resource. Land is seized for economic gain, borders are traversed through changes to regulations, and new territories of control are born from land reclamation where previously none existed. Imposing order and control over landscapes in varying states of flux. Conflict often leads to territories shifting or being taken by force. Yet as often as the former, unions of territories can proliferate through consensus and peaceful treaties. They can be rigid or malleable and perceptions of territories can differ for individuals compared to a group of people aligned in thought. Territory can be a landscape of blurred and invisible boundaries, overlapping in time and space. All these assertions lead us to questions. To create a territory, must one first understand it? What becomes possible when we start to question what territory is? How can it link-up with other disciplines?
America Recovered

America Recovered

Chad Ress, Jordan H. Carver, Miriam Paeslack

America Recovered reveals the point where abstract political processes manifest themselves in the physical world, thus providing an alternate means of experiencing the contemporary American landscape. Collectively, the images and essays show what aspects of our everyday lives are being assigned value in the promise of a recovered America. In 2009 President Obama signed the American Recovery and Reinvestment Act known as the stimulus bill. Along with the bill, the administration launched  Recovery.gov , a website to foster greater accountability and transparency in the use of covered funds. America Recovered collects forty images that mark one of the only efforts to document the breadth of projects funded by the 2009 American Recovery and Reinvestment Act. Unlike the New Deal and other programs designed for employment and infrastructural development, the Recovery Act was passed without any funds dedicated for photographic documentation. Using an official government website as his guide, Chad Ress took photographs of projects across the country. The publication of America Recovered at this moment allows for a critical reassessment of the Act and its lasting impact on the American landscape. The two essays by architectural writer Jordan H. Carver and photography historian Miriam Paeslack situate Ress's photographs within broader discourses of urbanism, infrastructure, and politics. The question of what role the government should play in everyday life remains one of the touchstone issues in American politics. The photographs and essays ask a different set of questions, not whether government spending is good or bad, whether it worked or didn't, but what, exactly does government spending look like. And importantly, America Recovered asks how government spending and civic identity are constructed around place.

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Between East And West: A Gulf

Between East and West: A Gulf

Hamed Bukhamseen & Ali Karimi / Civil Architecture

Between East and West: A Gulf looks towards the contested hydrography of the Arabian/Persian Gulf and proposes a new masterplan for the region. In an area of physical, religious, and political division, the publication tells the story of the Gulf's islands and the possibilities they hold for a joint territorial project. Hundreds of islands dot the waters between the Arabian and Persian shores. An afterthought in the political maneuverings of their respective coasts, tell an alternative narrative to the one which drives conceptions of the region. They represent a possibility greater than spaces of political contestation and hesitant demarcation. These islands are the sites of identity in formation, places of experimentation and architectural invention. Their historical roles were as varied as places of leisure, spirituality, planning, war, exile, and health.

The book was an accompaniment to the third Kuwaiti participation at the 15th International Architecture Exhibition  La Biennale di Venezia 2016 with a pavilion that shares the same title.

Crown Hall Dean’s Dialogues 2012-2017

Crown Hall Dean’s Dialogues 2012-2017

Kazuyo Sejima, William Baker, Wiel Arets, Junya Ishigami, Stefano Boeri, Peter Eisenman, Ben van Berkel, Pezo von Ellrichshausen, Phyllis Lambert, Riken Yamamoto, Herman Hertzberger, Armand Mevis, David Adjaye, Erwin Olaf, Dominique Perrault, Stan Allen, Bernard Khoury, Agata Siemionow This title collects the voices of 18 esteemed architects, designers, educators and theorists in dialogue with students from the Illinois Institute of Technology, College of Architecture. Voices ranging from Phyllis Lambert to David Adjaye to Rafael Vinoly expound and express their thoughts freely, digging deeply into essential themes that drive their work, study and process. This title provides intimate insight directly from leading architectural and design practitioners, who in the process of being interviewed, further the academic discourse conducted at IIT College of Architecture. EBOOK VERSION
Superhumanity

Superhumanity

Post-Labor, Psychopathology, Plasticity Chin Jungkown, Common Accounts (Igor Bragado & Miles Gertler), Arisa Ema, Hong Sungook, Yuk Hui, Kim Jaehee, Catherine Malabou, Hannah Proctor, Erik Rietveld, Mark Wasiuta

The field of design has radically expanded. As a practice, design is no longer limited to the world of material objects, but rather extends from carefully crafted individual looks and online identities, to the surrounding galaxies of personal devices, new materials, interfaces, networks, systems, infrastructures, data, chemicals, organisms, and genetic codes.Focused on post-labor, psychopathology, and plasticity of human mind and body, Museum of Modern and Contemporary Art in Seoul, Korea, MMCA, organized a Superhumanity symposium in Korea, consisting of lectures and panel discussions by experts from diverse disciplines, ranging from design and architecture to science, media, history, philosophy, and contemporary art. This book introduces essays by these experts, whose insightful presentations and followed conversations are resonated as a compilation. Faced with the fourth industrial revolution, this book shed light on the necessity to recognize that manmade, artificial objects are continuously reshaping our daily lives, and thus to rethink the intimate and fundamental relationship between design and what it means to be human.

With Contributions of Nick Axel, Beatriz Colomina, Nikolaus Hirsch, Jihoi Lee, Mark Wigley, Chin Jungkown,  EBOOK EDITION
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