AA Publications Catalog 19-20

A Forward Minded Retrospective Cedric Price Works 1952-2003: A Forward-Minded Retrospective by Samantha Hardingham is a two-volume anthology, co-published by the Architectural Association (AA) and the Canadian Centre for Architecture (CCA), and is supported by the Graham Foundation and the Cedric Price Estate. The books bring together for the first time all of the projects, articles and talks of British architect Cedric Price, aiming to present his munificence as thinker, philosopher and designer. A student at the AA in the 1950s, Price established his office in London in 1960 and went on to produce some of architecture's most intensely imaginative and experimental projects of the latter half of the 20th century. His work is central in defining architectural discourse around the emerging postwar themes of mobility and indeterminacy in design. With the contributions of Eleanor Bron, Brett Steele, Mirko Zardini Supported by The Cedric Price Estate and The Graham Foundation, 2016. Recipient of The Festival

Lina Bo Bardi This collection of essays is the first-ever English anthology of her writings. It includes texts written when she was still living in Italy as well as later contributions to a number of Brazilian newspapers, journals and magazines. An acute critic and a creative thinker, Bo Bardi proposes a series of new parameters for design thinking and practice, such as the notions of 'historical present', 'roughness' and 'tolerance to imperfection'. Presented collectively, her texts present a wealth of inspirational thoughts articulated in a refreshingly simple, straightforward fashion.

AA Files X Even the most casual visitor to the AA’s club-liked premises at Bedford Square where the school, the London and International networks make contact in a series of elegant eighteenth-century public rooms, cannot but be caught up in the momentum of the daily events which have made the AA a centre for the public discussion and display of architecture on a unique and unprecedented scale. Unfortunately, until the advent AA Files,’ writes AA Chairman Alvin Boyarsky in 1981 in the opening pages of the first issue of the long-running journal, ‘few glimpses have been available and certainly no documents exist recording aspects of this all-important phenomenon.’ In this student-edited issue AA Files 76 looks back on 37 years of not only glimpsing architecture as it happened at the AA, but also of writing about architecture and, through the idiosyncrasies, interests and generosity of its authors and editors, extending those

Alan Dempsey and Yusuke Obuchi (eds) From Mies van der Rohe's 1929 Barcelona Pavilion to the Serpentine Gallery's annual summer pavilions designed by architects such as Toyo Ito, Zaha Hadid and Rem Koolhaas, the production of pavilions has been at the forefront of architectural experimentation. Because of their temporary nature and loose functional requirements, pavilions can be realised as a pure expression of the way in which building materials are manufactured, organised, managed and assembled. People might not automatically categorise pavilions as great works of architecture, but they have nonetheless provided a vital platform for challenging current practice and making it evolve into the future. Created as part of the 2008 tenth anniversary celebrations of the Design Research Laboratory, the AA DRL TEN Pavilion is one of those built projects that push the conventions in architecture and structural engineering as well as the building materials industry. A fullscale construction built by

South China Sea and Inner Mongolia Expedition Unknown fields Unknown Fields is a nomadic design studio that ventures out on expeditions into the shadows cast by the contemporary city, to uncover the industrial ecologies and precarious wilderness its technology and culture set in motion. Tales from the Dark Side of the City is a book series that forms an atlas to the territories and stories of a city that stretches across the entire planet, a city that sits between documentary and fiction, a city of dislocated sites, of drone footage and hidden-camera investigations, of interviews and speculative narratives, of toxic objects and distributed matter from distant grounds. They are a collection of tales from the constellation of elsewheres that are conjured into being by the city's wants and needs, fears and dreams. For A World Adrift Unknown Fields travel through Asia and beyond, tracing the shadows of the world's desires along the