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Barcelona Guia D’Arquitectura Moderna (CAT ED.)

Barcelona Guia d’Arquitectura Moderna (CAT ED.)

Manuel Gausa, Marta Cervelló, Maurici Pla, Ricardo Devesa This guide brings together the most important and interesting examples of modern and contemporary architecture in Barcelona. It covers the emergence of Modernisme and Noucentisme, creative periods for which Barcelona is known the world over: the emblematic German Pavilion by Mies van der Rohe (1929), rationalist works conceived from the 40s and 50s, large housing projects of the 70s, the Olympic architecture of the late 80s, post-Olympic architecture, examples of the ongoing urban redefinition from the 90s, and the iconic architecture of the 21st century. Each entry has a brief description that includes planning and completion dates, a summary explanatory description, and subsequent restoration and alterations with a graphic coding system. This updated edition features the most recent architectural production (up until 2012), including landmarks such as Jean Nouvel's Agbar tower, the 2004 Forum building by Herzog & de Meuron, the Media-ICT building by Enric Ruiz Geli, the Santa Caterina Market by EMBT and the Diagonal ZeroZero Telefonica Tower by EMBA. Buy English edition Buy Spanish edition
Barcelona Guia De Arquitectura Moderna (SP ED.)

Barcelona Guia de Arquitectura Moderna (SP ED.)

Manuel Gausa, Marta Cervelló, Maurici Pla, Ricardo Devesa This guide brings together the most important and interesting examples of modern and contemporary architecture in Barcelona. It covers the emergence of Modernisme and Noucentisme, creative periods for which Barcelona is known the world over: the emblematic German Pavilion by Mies van der Rohe (1929), rationalist works conceived from the 40s and 50s, large housing projects of the 70s, the Olympic architecture of the late 80s, post-Olympic architecture, examples of the ongoing urban redefinition from the 90s, and the iconic architecture of the 21st century. Each entry has a brief description that includes planning and completion dates, a summary explanatory description, and subsequent restoration and alterations with a graphic coding system. This updated edition features the most recent architectural production (up until 2012), including landmarks such as Jean Nouvel's Agbar tower, the 2004 Forum building by Herzog & de Meuron, the Media-ICT building by Enric Ruiz Geli, the Santa Caterina Market by EMBT and the Diagonal ZeroZero Telefonica Tower by EMBA. Buy English edition Buy Catalan edition EBOOK VERSION
Estructuras Compartidas, Espacios Privados (SP ED.)

Estructuras Compartidas, Espacios Privados (SP ED.)

Vivienda en México Fernanda Canales

A case study that analyzes the relationship between ideas and houses, this book focuses on 100 years of housing projects in Mexico. The geographic, social, and economic diversity of Mexico constitute a prime example of the challenges inherent to meeting individual needs in an increasingly crowded world. The drawings and essays comprise new ways of looking at theories and buildings in order to redefine the connection between housing and the city. This research is centered in drawings of 70 housing projects, creating a common language highlighting different attempts at reinventing the house not as an isolated battle but as part of a strategy for reimagining how we want to live. This book showcases the pivotal voices that have shaped major cities through housing projects and explores how policies and ideas transform into built form, and how in turn buildings shape societies.

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Andrea Branzi (IT ED.)

Andrea Branzi (IT ED.)

E=mc2 Il Progetto Nell'Epoca Della Relatività Andrea Branzi, Elisa C. Cattaneo

From radical research to contemporary design, this book collects Andrea Branzi’s work about city-design and a new opportunity to interpret and anticipate the next dynamics of society. Territories that are conceptual categories, through spaces that are offered up by reality such that design can act and perform cognitively: in this sense, the city becomes a critical concept capable of overcoming its own image. Each passage presents a precise anthropological articulation: from the concept of commodity civilization of the Sixties to that of immateriality, from the concept of the metropolis to that of the anthropological territory, in which the infinitely small and the immensely large coincide, to the point of generating and passing beyond our commonly held concept of the city. The publication begins from the Andrea Branzi’s reflection on the relationship civility-design, from the Radical's research on mass-production civilization to the "infinite territories", proposing new territories able to interpret and anticipate the new dynamics of society. In particular, if the first chapters review the historical/critical works of Andrea Branzi and of Radical Movement, the last opens a new parenthesis of research, right now never expressed: the issues ignored by Modernity, like life, death, destiny and the sacred: themes which underline the new drama and the fracture between tragedy and normality, between consumerism and death, between theology and technology, between the silence of reason and the voice of an irrational reality.

Graham Foundation Grant Buy English edition
La Función Del Ornamento (SP ED.)

La Función del Ornamento (SP ED.)

Farshid Moussavi

A graphic guide to ornaments of 20th century building envelopes.

Rigorous drawings of iconic projects unveil the function of ornament as the agent for specific affects, dismantling the idea that ornament is applied to buildings as a discrete or non-essential entity. Each case exploits specific synergies between the exterior and the interior, constructing an internal order between ornament and material. These internal orders produce contemporary expressions whose affects are resilient in time.

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Xpositions (CN ED.)

Xpositions (CN ED.)

The Pavilion Dialogues Yichen Lu and Kenneth Namkung In May 2015, Studio Link-Arc completed the China Pavilion for Expo Milano 2015, its most prominent work to date. As China’s first free-standing Expo Pavilion beyond its own borders, the design and construction of the project raised a number of issues relevant to current architectural discourse: temporality and the legacy of Expos; nationality and representation; instant place-making and iconicity; and the relationship between parametric design and craft. The ideas seen in the China Pavilion are discussed and expanded by a respected group of professionals, with contributions by Stefano Boeri, Italian architect and one of the original master planners for Expo Milano 2015; Dr. Xiangning Li, Assistant Dean and Professor at Tongji University College of Architecture and Urban Planning and Visiting Professor in Architecture at the Harvard University Graduate School of Design; Daniel Libeskind, the internationally renowned architect and designer of the Vanke Pavilion for Expo Milano 2015; and Studio Link-Arc, the architects of the China Pavilion. Buy English edition
La Domesticidad En Guerra (SP ED.)

La Domesticidad en Guerra (SP ED.)

Beatriz Colomina In the immediate postwar years, a new type of modern architecture emerges. Beatriz Colomina presents domesticity as a potent new weapon in a changed architectural battlefield. This architecture becomes the property of the middle-class consumer bombarded with images of domestic bliss, a lifestyle campaign launched through recycled military techniques. The significance of architects like Charles and Ray Eames lies in their sensitivity to buildings and images both defining space. Colomina is Director of Princeton University’s Architecture PhD program and acclaimed author of Privacy and Publicity and Sexuality and Space. Buy English Edition
MCM – Milano Capitale Del Moderno (IT ED.)

MCM – Milano Capitale del Moderno (IT ED.)

Lorenzo Degli Esposti Modern architecture articulated itself in specific centers of propulsion, revision and critique during the 20th century. The case of Milan is exemplary: Terragni and Razionalismo, the reconstruction (Ponti, Rogers, Moretti, Viganò, etc.), the Tendenza of Rossi, product design, up to the current research. MCM traces this history from several contributors’ points of view. MCM - Milano Capital of the Modern, edited by Lorenzo Degli Esposti, is made up of texts and images from over 300 contributors from Europe and the US, across three generations, involved in the activities of the Padiglione Architettura in EXPO Belle Arti of Vittorio Sgarbi, a programme by the Regione Lombardia hosted in the Grattacielo Pirelli during the EXPO 2015. They investigate the relationships between modern architecture, the city of Milan (Razionalismo, reconstruction, Tendenza, Radical Design, up to current research) and the city in general, between single and specific works and the large scale of the urban territory, in the contradictions between architecture autonomy and its dependence on specific place and historical time. The idea of MCM is that each capital of the Modern brings an original version of modernity in architecture: in the specific Milanese case, this kind of Modern is characterized by the simultaneous presence of abstract, systematic and syntactic features and an ontological conception of both buildings and architectural and urban voids. Buy English edition
Filogénesis (SP ED.)

Filogénesis (SP ED.)

Foreign Office Architects Through a series of competitions, speculative commissions, and built work, FOA's first monograph is structured to reflect the development of their specific attitude and as a compendium of the technical arsenal that they use to within their practice. With the spirit of scientific classification, the genesis of an architectural project is identified within a series of phylum, actualized and simultaneously virtualized, in their specific application to the unique conditions of a project's location. Phylogenesis also includes a collection of texts from several critics who investigate related topics that touch upon different aspects of FOA's discourse. Buy English edition
Kazuyo Sejima En Gifu (SP ED.)

Kazuyo Sejima en Gifu (SP ED.)

Albert Ferré, Tomoko Sakamoto Located in Gifu, sits a building that constitutes the first material expression of Kazuyo Sejima's studies on metropolitan housing. This investigation proceeded from the conclusion that not all subsidized housing needs to be the same. Starting from a generic public housing program, Sejima's housing block in Gifu departs from convention and occupies the conceptual and physical space created between oppositional design concerns: where a strictly modulated structure confronts a random arrangement of different spaces; between the length of the building and the reduction of its built depth; between inhabitable space and the surrounding landscape; between the individual and the family unit. Buy English edition
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