space – Actar Publishers

Select Gift

Domesticidad a la intemperie- Ricardo Devesa

Domesticidad a la Intemperie (SP ED.)

Ricardo DevesaThe relationships of contiguity between houses and trees have existed since ancient times. However, at the end of the 19th century those links became explicit in the design process.

Sobre las relaciones entre árboles, arquitectura y habitantes Ricardo Devesa The first part of this publication is to present a collection of exemplary five houses that evinced explicit relationships with preexisting trees. The five twentieth century projects are: La Casa (B. Rudofsky, 1969), Cottage Caesar (M. Breuer, 1951), Ville La Roche (Le Corbusier & P. Jeanneret, 1923), Villa Pepa (J. Navarro Baldeweg, 1994) and Hexenhaus (A. & P. Smithson, 1984-2002). The second part of the book is to contribute with three theoretical concerns for the contemporary project, those ones which are established in the process, with respect to time, place and outdoor domesticity in modern western housing. One of these theoretical contributions establishes that any house located on a site finds a significant place in conjunction with the preexisting trees. The second contribution describes the effects in terms of time, in addition to spatial considerations, which trees can contribute to the architectural project.

Outdoor Domesticity- Ricardo Devesa

Outdoor Domesticity (ENG ED.)

Ricardo DevesaThe relationships of contiguity between houses and trees have existed since ancient times. However, at the end of the 19th century those links became explicit in the design process.

On the Relationships between Trees, Architecture, and Inhabitants Ricardo Devesa The first part of this publication is to present a collection of exemplary five houses that evinced explicit relationships with preexisting trees. The five twentieth century projects are: La Casa (B. Rudofsky, 1969), Cottage Caesar (M. Breuer, 1951), Ville La Roche (Le Corbusier & P. Jeanneret, 1923), Villa Pepa (J. Navarro Baldeweg, 1994) and Hexenhaus (A. & P. Smithson, 1984-2002). The second part of the book is to contribute with three theoretical concerns for the contemporary project, those ones which are established in the process, with respect to time, place and outdoor domesticity in modern western housing. One of these theoretical contributions establishes that any house located on a site finds a significant place in conjunction with the preexisting trees. The second contribution describes the effects in terms of time, in addition to spatial considerations, which trees can contribute to the architectural project.

Responsive Environments

Allen Sayegh, Stefano AndreaniThe entanglement of physical contexts with digital environments is constantly changing our relationship with the surrounding space and creating new hybrid experiences.

An Interdisciplinary Manifesto on Design, Technology and the Human Experience Allen Sayegh, Stefano Andreani, Matteo Kalchschmidt What makes an environment "responsive"? This book provides some key concepts in the form of a design manifesto. Critically articulated from the perspective of leading experts, scholars and professionals, the ideas explored are unpacked through speculative urban visions and design projects at different timeframes, contexts and scales ranging from interactive artifacts to augmented cities. Drawing from a multiyear research at the REAL Lab at Harvard GSD and design work by INVIVIA and other innovative practices, the book unfolds the experiential facets of our technologically-mediated relationship with space in the fields of architecture and urbanism, design and art. With the collaboration of the Harvard REAL Lab. EBOOK VERSION

Do you remember how perfect everything was?

Do You Remember How Perfect Everything Was?

Hamed KhosraviPublished to accompany her first major retrospective exhibition, this monograph assembles an extensive selection of Zenghelis’ work from the early 1960s to 2020

The Work of Zoe Zenghelis Hamed Khosravi Zoe Zenghelis’ paintings create an unprecedented imaginary inspired by metropolitan structures, landforms and abstract tectonics. Born in Athens in 1937, she began her career as a founding member of Office for Metropolitan Architecture (OMA), where her contributions created new opportunities for the group at the vanguard of architectural representation. Within, alongside and beyond this collaboration, Zenghelis developed a body of work exhibiting a playful and iconoclastic evocation of a very particular urban form – one that is perhaps a surreal mix of the Aegean landscape of her youth and metropolitan cities such as Paris, Berlin, New York or London. She has lived and worked in the latter since 1955. Do You Remember How Perfect Everything Was? traces the development of Zenghelis’ artistic career through her paintings, projects and teaching. Published to accompany her first major retrospective exhibition, this monograph assembles an extensive selection of Zenghelis’ work from

0

Your Cart is empty