Cinco mil años de arquitecturas del poder Fernando Grasa Throughout 5,000 years the visual plot has been shown as the systematic alphabet that Mediterranean cultures have used to write multiple architectural accounts of a sacred and ceremonial nature. We will begin this memory - a true travel notebook - by presenting what the Christian temples of discipline have taught us. Then we travel to Egypt, Rome and finally to Malta and Gozo. The systematicity and similarities in the crystallization of the ideological discourse were incredible and we invite the reader to verify those teachings. To facilitate this, the text includes more than 360 sketches and 300 images of more than 200 buildings belonging to 17 countries. EBOOK VERSION
Translations from Drawing to Building and Other Essays
Robin Evans ‘What makes this book so captivating is not just the individual insights, but also the intensity of Evans's vision and the coherence of his approach.’ —Joseph Rykwert, Harvard Design Magazine This book brings together eight of the most interesting and significant essays by the unequalled historian Robin Evans, author of The Projective Cast. Written over a period of 20 years from 1970, shortly after his graduation from the Architectural Association (AA), to 1990, the essays cover a wide range of architectural concerns: domestic space, society’s involvement with building types, aspects of geometry, modes of projection and drawing as a process for generating ideas. The book includes 'Mies van der Rohe's Paradoxical Symmetries' and other essays first published in AA Files. Evans's writings are supported by a new introduction and an annotated bibliography by Richard Difford. This AA Documents publication is a re-edition of the 1997 essay collection originally published by AA Publications.
Sub-Urbanism and the Art of Memory
Sébastien Marot This book is a sub-urbanist manifesto. Its author, Sébastien Marot, challenges the dominant role of the programme in regulating the design project, and argues that instead attention should be redirected towards the site – the site read in depth, with an active regard for memory. Exploring this analysis, he considers in turn Frances Yates' book The Art of Memory, Sigmund Freud's analogy between the past of a city and the workings of memory, Robert Smithson's account of a tour of his suburban birthplace and Georges Descombes' design for a small park in the Geneva suburb where he spent his childhood. Marot’s conclusion brings these different strands together and highlights, in memory, a precept that is essential to the renewal of current architecture. This AA Documents publication is a re-edition of Sébastien Marot’s Sub-Urbanism and the Art of Memory, originally edited by Pamela Johnston and published by AA Publications in