New Natures

Intermodal Station in Logroño Inma E. Maluenda Ábalos Sentkiewicz arquitectos Monograph dedicated to the new Intermodal Station Logroño, Spain by Iñaki Abalos and Renata Sentkiewicz, tells how the authors started from the intention to exploit the underground of the tracks and the train station to create a memorable urban event. Under a single encompassing gesture, it doesn't only contribute functional benefits to the city of Logroño (a new high-speed railway and bus station), but specially allows to create a large pedestrian space, a park or artificial hill, culminating with uninterrupted pursuit of a new urban green ring where the tracks would separate the city in two. Among its contents, the book also includes an unpublished article by Stan Allen, interview with the editors, I. E. Maluenda and E. Encabo to Abalos and Senkiewicz, some specialized essays by T. Gala-Izard and M. C. Gutierrez as well as the photography by Jose Hevia of both the construction process and the finished project in its first phase. Spanish edition

Mies Van der Rohe Award 2011

European Union, price for Contemporary Architecture This biennial prize is conceded by the European Union and organized by the Mies van der Rohe Foundation in Barcelona to recognize and reward the quality of the architectural production in Europe. Candidates are nominated by a diverse group of independent experts from all over Europe. In each edition, the jury awards two prizes: the European Community Prize for Contemporary Architecture, presented for conceptual, technical and con-structive qualities of a project, and the Special Mention for Emerging Architect. The Mies van der Rohe Pavilion in Barcelona incarnates the main objectives that the prize looks for: excellence and innovation in conceptual and constructive terms. The 2011 edition of the biannual publication that accompanies the prize will present the winning project and also the six finalists: the New Museum (Berlin, Germany) by David Chipperfield Architects; the Bronks Theatre (Brussels, Belgium) by MDMA; the MAXXI: Museum of 21st Century Arts (Rome, Italy) by Zaha Hadid Architects; the Danish Radio Concert Hall (Copenhagen, Denmark) by Ateliers Jean Nouvel; the Acropolis Museum (Athens, Greece) by Bernard Tschumi Architects; and the Rehab Center Groot Klimmendaal (Arnhem, The Netherlands) by Architectenbureau Koen van Velsen.

MAD DINNER

Ma Yansong, Yosuke Hayano, Dang Qun MAD DINNER is the first book by MAD office, Beijing-based architectural office. Organized around the metaphor of dinner table conversation, the book is a collection of ideas and opinions about topics ranging from politics to ecology to fame to the future. The dinner's "guests" include people from all levels of Chinese society: a government official, hairdresser, migrant laborers, a doctor, a taxi driver, and a developer are all brought together to offer their views in an atmosphere of openness and exchange. MAD's work is embedded in a series of extended conversations with international advisors, including the Swiss curator Hans Ulrich Obrist, British writer Ian Buruma, filmmakers Zhang Yimou and Jia Zhangke, and the artist Ai Weiwei. The conversations work in tandem with MAD's proposals to reveal their essential account of the architect's practice and experience inside of China, the fastest urbanization in world history.

Architecture with the People, by the People, for the People

Yona Friedman This monograph, second in the collection featuring artists and architects who maintain a critical view of the contemporary world, is devoted to the distinguished Hungarian architect, living and working in Paris, Yona Friedman. Yona Friedman's work spans urban models, theoretical texts and animated films. He has participated in several biennial art exhibitions, including Shanghai, Venice and Documenta 11. His visionary, ground-break-ing ideas have been at the forefront for several generations of architects and urban planners, and have clearly influenced the likes of Kenzo Tange, Arata Isozaki or Bernard Tschumi. While Friedman is still active and remains socially committed, his most important ideas stem from the fifties and sixties. In 1956, he published his Manifeste de l'architecture Mobile, which set an urban structure on piles suitable for areas where building had not been not possible. This text was in turn used as the founding document of the Groupe d'architecture mobile (GEAM). He developed urban concepts such as the Spatial City where dwellings are freely distributed by the citizens thanks to low-cost, reusable mobile models. In 1965, along with Ionel Schein, Walter Jonas and others, he founded the Groupe International d'Architecture Prospective (GIAP). See Preview on issuu

Jane Alexander

Surveys from the Cape of Good Hope Pep Subirós Jane Alexander is one of the most significant African contemporary artists working today. Her animal-human sculptures, photographs, and dramatic installations speak of lasting disfigurations in her native South Africa, yet raise issues about human nature that resonate with viewers internationally. Alexander's hybrid mutants inhabit a universe where boundaries between self and other, human and animal, are unstable, where shared foundations and clashing differences are disclosed, and where the grotesque and the familiar entwine. While the figures are, in many ways, emblems of monstrosity, they are oddly beautiful. Her creatures expose the human animal for all it is and all it could become. Not only are Alexander's artworks formally and technically accomplished, but they also deliver a potent emotional impact, sending warnings about historical consequences and hinting at things to come.

Layered Urbanisms

Nina Rappaport This book presents the work and the advanced studios of Gregg Pasquarelli in "Versioning 6.0," Galia Solomonoff in âBrooklyn Civic Space, and Mario Gooden in Global Typologies. It features interviews and the work of the architects along with their studio projects.

Barcelona Masala

Narratives and Interactions in Cultural Space Robert E. D'Souza, Daniel Cid Moragas (eds.) Barcelona Masala documents an innovative educational design project conducted in the Raval district of Barcelona over a three-year period. Winchester School of Art and the Elisava, Barcelona School of Design and Engineering have formulated a series of workshops that have challenged design students to develop inter and transdisciplinary methods and strategies of working applied to the changing needs of an urban community in Barcelona. The projects and associated workshops were conducted to promote cultural understanding and exchange while developing dialogues between the Asian immigrant population of the Raval and the wider city in a period of time that the Raval has transformed through migratory change. This publication looks at how design activism and social engagement could contribute to better understanding of peoples and societies within the context of the globalised urban situation. Essays from Spanish historians, anthropologists, artists and designers that locate this project within a framework of history, cultural change, social politics and contemporary visual arts/design. Three separate workshops/projects are documented here instigated by Ed DâSouza from Winchester School of Art in the UK in collaboration with Daniel Cid at the Spanish Design School Elisava in Barcelona.

Abstract 2015

Amale Andraos and Jesse Seegers Yearly publication of work and research from the Columbia University Graduate School of Architecture Planning and Preservation. Produced through the Office of the Dean Amale Andraos, the archive of student work contains documentation of exceptional projects, selected by faculty at the conclusion of each semester. The 2015 edition includes the applied research of the school's laboratories and projects from design studios taught by Benjamin Aranda, Eric Bunge and Mimi Hoang, Juan Herreros, Steven Holl, Jeffrey Inaba, Andres Jaque, Laura Kurgan, Jing Liu, LOT- EK, Reinhold Martin, Kate Orff, Jorge Otero-Pailos, Hilary Sample, Bernard Tschumi, Nanako Umemoto and many others. This encyclopedic volume is conceived as both an organizational model for the school and a testament to the global distribution of the work included within.

DECONSTRUCTING OSAMA

Author: Joan Fontcuberta In November 2006 Al-Zur (the Qatar-based news agency) photojournalists, Mohammed ben Kalish Ezab and Omar ben Salaad, pulled off one of the most stunning scoops in the annals of investigative journalism. Ben Kalish and Ben Salaad followed the trail of Dr. Fasqiyta-Ul Junat, a leader of Al Qaeda's military wing. This is how Joan Fontcubertaâs latest fiction project starts. A complex and ironic vision of how Western World envisages the arabic world. Photography and deception meet in this publication, which will not leave you indifferent.

Colour in Mass (ENG ED.)

Concrete and Pigments: Ciudad de la Justicia of Barcelona David Chipperfield A complete analysis on the project and construction of the new City of Justice of Barcelona Currently, the various departments of justice of Barcelona and L'Hospitalet de Llobregat are scattered in 17 buildings distributed between the two cities, with functional frustrations for both users and employees. A new conjoined City of Justice will improve efficiency and allow working spaces to adapt and absorb the constant transformation of the judicial body while allowing extra space for future growth. This monograph is devoted to the winning project by b720 architects and David Chipperfield Architects, describing all details from the design process to the construction phase. The most significant proposition breaks up the massive program requirements (241.519,92 m2) into a series of separate but inter-related buildings on a public plaza, engendering a spatial composition that attempts to break the rigid and monolithic image of justice. This proposal also attempts to provide an equilibrium in the relationships between the different working areas, public areas and landscape. The book is organized in four different sections. The first chapter is an interview between David Chipperfield and Fermin Vazquez; the second gives an overview of the project with visual material and drawings; part 3 talks about the execution of the building by B720, and there is a final technical analysis on the pigmented concrete by Lanxess, the chemical company that collaborated on the project. B720 is a studio founded in 1997 and managed by Fermin Vazquez. It has offices in Madrid, Barcelona and Porto Alegre (Brazil). Buy Spanish edition

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