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Pack_Empty Room+100 rooms

RZLBD (Reza Aliabadi)Today architecture has turned into a mere media device at the service of external forces. What used to be a source of inspiration, now has become the subject of speculation, and show business.

The Empty Room Fragmented Thoughts on Space RZLBD (Reza Aliabadi) Part aphorism and part manifesto, this book by Canadian architect Reza Aliabadi (RZLBD) references his ideas and thoughts about space. He suggests 'the empty room' as the very essence of architecture, and 'the spatial experience' as its highest mandate. Reza revisits architecture —not as the walls that enclose the space— but rather the space in-between the walls. What he calls an "anti-architecture" of invisible voids. Today architecture has fallen short as a discipline and has instead converted into an industry, part of the commercial establishment. Accordingly it has given up its capacity to offer contributions and has been reduced to being a service. It has become all about a form-making exercise and dressing it up with a fashionable skin. What matters most, is the look of it, and the contest to keep that look relevant in the media— as long as possible. It submits

38,00€42,00€

100 Rooms

RZLBD (Reza Aliabadi)After his book The Empty Room, RZLBD (Reza Aliabadi) elaborates the same theme with one hundred iterations of a square room, each of which tells a different story of the emptiness between the walls

Many Untold Parables of The Empty Room RZLBD (Reza Aliabadi) The Empty Room, in the absence of any visual materials, was a written manifesto composed of RZLBD’s poems and collection of quotes intended to portray the room and the emptiness as the essence of architecture. Now, 100 Rooms complements our own blurry images of the empty room with a visual guide. Each spread consists of a plan and a physical model of a room, which is an excavation of the geometry and order inherent within the square. It holds no design intention — no scale or function — but simply one of infinite possibilities that emerge from a square. This framework suggests that the formal expression of a room comes from within. With these visual references, one can begin to imagine many approximations to the empty room. A line on paper is always less, as Kahn says, but through these measurable means,

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