Lewerentz Fragments
Jonathan Foote, Hansjörg Göritz, Matthew Hall, Nathan Matteson
Through new essays, recently discovered archival material, photography, and drawings, the publication Lewerentz Fragments explores the architect’s body of work spanning three-quarters of the twentieth century. Comprising writings from all the major scholars on Lewerentz’ work, along with several new voices, this publication offers new insight into the context surrounding this architect’s work. Rather than focusing on a single thesis, the book offers a diversity of insight from multiple cultural and professional perspectives. In addition, previously unpublished translations of interviews and dialogs among the architect and his contemporaries offer a voice to the ‘silent architect’ altering the traditional interpretations of the work and digging past the surface of what might be considered his philosophy of building. Rather than serving as an introduction to the architect’s work, this volume provides detailed fragments as a deep and diverse dive into one of the most mysterious
Mute Icons
& Other Dichotomies of the Real in Architecture
Marcelo Spina & Georgina Huljich with Constance Vale/ P-A-T-T-E-R-N-S
Interrogating historical, contemporary, and — more importantly— speculative images, ‘Mute Icons & Other Dichotomies of the Real in Architecture’ aims to construct a viable alternative to the icon’s cliché and exhausted form of communication, positing one that is decidedly introverted and withdrawn. Developing a language and a sensibility for discovering simultaneous, contradictory, and even unexpected readings of architectural form, Marcelo Spina & Georgina Huljich / PATTERNS’s new book Mute Icons, aims to carve out a niche in contemporary culture and history by suggesting that far from being a crowd-pleaser, architecture can persist within society as a constructive cultural and social irritant.
No longer concerned with narrative excesses or with the "shock and awe" of sensation making; the mute icon becomes intriguing in its deceptive indifference towards context, perplexing in its unmitigated apathy towards the body. Object
39,00€
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The Function of Style
Farshid Moussavi
This book interrogates further the formfunction relationship of its projects. It focuses particularly on the history of drawing techniques of describing different concepts of function. All is shown through drawings that describe amongst other criteria the structural function [arrangement of activities or materials], the physical function [such as acoustics, traffic, lighting], the psychological function or the social function of built forms.
During the 19th and most of the 20th century, discussions of style revolved around pure formalism or pure functionalism. Style, as the way of assembling forms, was trapped in producing consistency and sameness across architectural forms. This publication is the third in a series at the GSD focused at researching a contemporary idea of style in architecture.
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