Ana Miljački is a critic, curator and Associate Professor of Architecture at MIT, where she teaches history, theory and design and directs the MArch Program. Miljački was part of the three-member curatorial team, with Eva Frank i Gilabert and Ashley Schafer, of the US Pavilion at the 2014 Venice Architecture Biennale, where their Biennale project, titled OfficeUS, critically examined the last century of US architectural offices; their professionalization and their concomitant global contribution. Miljački’ s Un/Fair Use exhibition, co-curated with Sarah Hirschman was presented at the Center for Architecture in New York in 2015 and at UC Berkeley’s Wurster Gallery in 2016. In 2018 Miljački launched the Critical Broadcasting Lab at MIT. She is the author of The Optimum Imperative: Czech Architecture for the Socialist Lifestyle 1938-1968 (Routledge, 2017), and the editor of Terms of Appropriation: Modern and Architecture and Global Exchange with Amanda Reeser Lawrence (Routledge, 2018).