eVolo 02 (Spring 2010)

Skyscrapers of the Future Carlo Aiello It has been a tremendous satisfaction to compile this book about the past, present, and future of the skyscraper. No other architectural genre captures our imagination and reflects our cultural and technological achievements like these towers that pierce the sky. We start off with the history and evolution of building high, from the Egyptian pyramids, Gothic cathedrals, and first American skyscrapers to the contemporary reality in Asia and the Middle East. We present two fascinating interviews, the first one with Carol Willis, the founder and director of the Skyscraper Museum in New York City, who explains the true genetics and economics behind the birth and future of the skyscraper. The second one with Italian artist, Giacomo Costa, who shares his vision about the relationship between the natural environment, human activity, and supernatural reality with provocative images of an apocalyptic urban future. Javier Quintana exposes the time gap between new architectural concepts and their built reality like Arne Hosek s City of the Future designed in 1928 and materialized in 1998 by Pelli as the Petronas Towers in Kuala Lumpur or Sergei Lopatin s 1925 idea for the Veshenka Tower in Moscow, later observed as the Willis Tower (former Sears Tower) in Chicago in 1974.

eVolo 03 (Fall/Winter 2010)

Cities of Tomorrow Carlo Aiello How do we imagine the cities of tomorrow? This is one of the most difficult questions that architects, designers, and urban planners need to answer in a time where more than half of the world s population lives in urban settlements a mere century ago only ten percent did. In this book we examine innovative urban proposals that will transform the way we live; projects that preserve the natural landscape with integral architecture and urbanism with deep connections to site, culture, and environment. These are concepts of hybrid urbanism that offer a juxtaposition of programs to live, work, and play for a hyper-mobile population. Projects by: Arup Biomimetics, AS/D, BIG Bjarke Ingels Group, LAVA Laboratory for Visionary Architecture, MAD Architects, Matter Management, MONAD Studio, NH Architecture, Rag Urbanism, Rojkind Arquitectos, SOFTlab, Ted Givens, Terreform One, Trahan Architects, UNStudio, Vincent Callebaut Will Alsop, WOHA Studio. Plus: 2010 Skyscraper Competition, Australia in 2050, Urban Visions: 1850 2100, Essays and Interviews.

eVolo 04 (Summer 2012)

Re-imagining the Contemporary Museum, Exhibition and Performance Space: Cultural Architecture Ahead of Our Time Carlo Aiello The architecture for performance and exhibition, being museums, galleries, music halls, pavilions, etc., has been in the leading edge of architectural innovation throughout the history and evolution of the discipline. Architects and designers experiment on new aesthetics, concepts, and ideas with projects that tend to have a flexible program and a large budget. In many cases, the main requirement of such structures is not only to accommodate a specific program but also to inspire the imagination of its users and challenge the current state of architectural design. Some examples, such as the Guggenheim Museum Bilbao by Frank Gehry or the Sydney Opera House by Jorn Utzon are considered design masterpieces of the 20th Century. Gehry s Museum transformed the city of Bilbao from a small industrial Spanish city into a world destination, while Utzon s Opera House become the symbol of Sydney and Australia. This issue of eVolo studies the most innovative examples of performance and exhibition architecture today. These are projects that revolutionize architecture on many levels, including sustainability, aesthetics, technology, and urban design. It is interesting to point out that these works are not concentrated in one specific region, but are located in every corner of the globe; from MVRDV s Comic and Animation Museum in China, to the new Broad Museum in Los Angeles by Diller Scofidio Renfro, or Kengo Kuma s Victoria and Albert Museum in Dundee, Scotland.

eVolo 5 Architecture Xenoculture

Juan Azulay Architecture Xenoculture is the problematization of work produced by embracing the proliferation of this mist of fear. It argues for the harnessing of this aesthetic of fear towards a yet-to-be determined end intensifying its practice towards new thresholds, those that unleash the potential of the alien in the world beyond the limited imaginary we have become anesthetized to, conjuring insecure material and behavioral manifestations of the xeno-gene and its ability to adapt, mutate, survive and fight.

Composites, Surfaces, and Software

High Performance Architecture

By showcasing the intersection between technology, aesthetics, and function, this book offers a multidisciplinary approach to cutting-edge performative technology. In a Yale studio led by Lynn and Gage, students designed a boatbuilding facility using intelligence gleaned from the competitive sailing industry. These projects along with work and essays by Gage and Lynn, Frank Gehry, Lise Anne Couture, Chris Bangle, and others demonstrate how shared materials, tools, and techniques strengthen the fields of automotive and aeronautic design, boatbuilding and architecture, ultimately exhibiting the high-tech cross-pollination of form and material across industries.

Urban Intersections: Säo Paulo

Edward P. Bass Distinguished Visiting Architecture Fellowship 06 Nina Rappaport, Noah Biklen, Eliza Higgins Urban Intersections: Sao Paolo documents the collaboration of Edward P. Bass Fellow Katherine Farley, senior managing director of the international real estate developer Tishman-Speyer and Yale adjunct professor Deborah Berke, assisted by Noah Biklen, at the Yale School of Architecture. The book features ways to examine the process of urban design and development in Sao Paolo, Brazil, a rapidly growing global mega-city, with all its attendant vitality and contradictions. The work engages both the development issues of schedule, phasing, risk, sustainability, value, and density along with the architectural issues of scale, formal clarity, envelope articulation, use of color and texture, and the relationship of building to landscape. An essay by Victoria Grossman analyzes and critiques development in Sao Paolo.

Heróicas Eróticas en Nueva York

Zilia Sánchez Zilia Sánchez first survey exhibition in the United States, with artwork spanning the 1950s to the 1990s. The work of Cuban-born artist Zilia Sánchez is characterized by her distinctive approach to formal abstraction through the use of undulating silhouettes, muted color palettes, and a personal, sensual language. Sánchez's exceptional formed canvases, which range in scale from the intimate to the monumental and span fifty years of artistic production, have seldom been seen outside of Puerto Rico, where she has lived and worked since 1972. Produced in conjunction with the artist's first solo exhibition at Galerie Lelong New York, this publication focuses on SÃ¡nchezâs shaped paintings made three-dimensional through her unique method of stretching canvases over hand-molded wooden frameworks.

Retrospecta 38

Cathryn Garcia-Menocal, Wesley Michael Hiatt, Laura E. Meade, Maggie Tsang Retrospecta is the annual journal of student work at the Yale School of Architecture. Part historical record, part monograph, Retrospecta seeks to capture and record the current life of the school. Â Documenting one academic year, each issue contains exemplary work from both the design studios and support courses. The daily activities of the school, including lectures, symposia, exhibitions, and studio reviews, are also highlighted through numerous candid photographs and quotations. Â The journal is edited by students and published by the school.

Retrospecta 37

Dov Feinmesser, Anthony Gagliardi As a set, the volumes of Retrospecta catalog decades of activity at the Yale School of Architecture. Standing alone, each volume is a snapshot of evolving architectural and graphic design trends. Retrospecta 37 takes progress as its theme, and attempts to mark more than the passage of another year. This volume is organized to record our ongoing growth as a student body, as a class, and as individuals. This growth builds on our collective traditions the lecture series and its celebrated receptions, the roster of returning and visiting critics and courses and charts new ground through our development as designers among a community of scholars. In this Retrospecta, academic work is interspersed with moments that embody the culture and camaraderie of the school. For the first time, mid-term documentation is included for many student projects to show progress on a more intimate scale, giving a glimpse of the process behind the product. Although completed projects and papers suggest finality, the Retrospecta lineage serves as a reminder that our education continues beyond these pages. In that sense, this volume captures our work in progress. Visiting critics in this issue include Peter Eisenman, David Adjaye and Greg Lynn.

Retrospecta 36

Nina Rappaport Retrospecta is the annual journal of student work at the Yale School of Architecture.Â Part historical record, part monograph, Retrospecta seeks to capture and record the current life of the school Documenting one academic year, each issue contains exemplary work from both the design studios and support courses. The daily activities of the school, including lectures, symposia, exhibitions, and studio reviews, are also highlighted through numerous candid photographs and quotations. The journal is edited by students and published by the school.

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