skip to Main Content
Architecture On Display

Architecture on Display

On the History of the Venice Biennale of Architecture Aaron Levy and William Menking Architecture on Display is a research initiative by Aaron Levy and William Menking that consists of interviews with each of the living directors of the Venice Biennale for Architecture. The origins of the architecture biennale are generally traced to the 1970s, when it emerged from under the umbrella of the larger Venice Biennale, which was itself established in 1895. Since then it has become one of the most prestigious forums for architectural discourse today, and has served as a model for a range of international exhibitions. The book explores the biennale through the directors who established its particular discourse, including Vittorio Gregotti, Paolo Portoghesi, Francesco Dal Co, Kurt W Forster, Massimiliano Fuksas, Hans Hollein, Richard Burdett, Deyan Sudjic, Aaron Betsky and Kazuyo Sejima, as well as the current president of the Venice Biennale, Paolo Barrata. These conversations do not seek to recapitulate the exhibitions themselves but rather explore the questions that these exhibitions raise, with the hope of offering a model for future curatorial endeavours.
AA Files 75

AA Files 75

Tom Weaver (ed.) AA Files 75 features essays by Freya Wigzell, Kristina Jaspers, Claire Zimmerman, Laila Seewang, Roberta Marcaccio, Rebecca Siefert, Shantel Blakely, Francesco Zuddas, Joanna Merwood-Salisbury, Victor Plahte Tschudi, Francisco González de Canales, Ross Anderson, Salomon Frausto, Theo Crosby, Marco Biraghi and Zoë Slutzky, together with a personal reminiscence by Nigel Coates and a conversation between Thomas Daniell and Shin Takamatsu.
AA Files 71

AA Files 71

Tom Weaver (ed.) AA Files 71 features essays on Brunelleschi, by Pier Vittorio Aureli, on the Museum Insel Hombroich, by William Firebrace, on Louis Bonnier, possibly the most boring architect in nineteenth-century France, by Andri Gerber, on the relationship between the artist Joseph Beuys, the architect Hans Hollein and the curator Johannes Cladders, by Eva Branscome, and two conversations, the first with Irish-American architect Kevin Roche, and the second with the Japanese architect Hiroshi Hara.
AA Files 70

AA Files 70

Tom Weaver (ed.) AA Files 70 features contributions by Joseph Bedford, Jesús Vassallo, Andrew Leach, Jean-Louis Cohen, Susan Holden, Enrique Walker, Richard Rogers, Renzo Piano, Dietrich Neumann, Juergen Schulz, Goswin Schwendinger, Gavin Stamp, Sam Jacob, David Jenkins, Paul Vermeulen, Diego Inglez de Souza, Irina Davidovici, Mark Swenarton, Thomas Weaver, Will McLean, Andrew Higgott, Nicolas Grospierre, Diane Ghirardo and Paul Mason.
AA Agendas 12: Drawings That Count

AA Agendas 12: Drawings that Count

Mary Beard, Noam Andrews, David Edgerton This collection of 60 large drawings produced over five years by AA Diploma 15 addresses the construction of context by architecture for its own very particular purposes. No architectural category is more fickle or more artificial than 'context'. A self-declared 'render-free zone', the unit's interrogations of architecture's seminal sites (antiquity, technology, the future and its proxies) examine the role of figuration and the exclusion of indeterminacy in the always already mediated question of context. Through the quiet business of counting, these line drawings –against the double ascendancy of parametricisation and the glossy rendered perspective– question architecture's ambivalent relations to the artifice it installs between itself and the outside world.
AA Agendas 8: Nine Problems In The Form Of A Pavilion

AA Agendas 8: Nine Problems in the Form of a Pavilion

Alan Dempsey and Yusuke Obuchi (eds) From Mies van der Rohe's 1929 Barcelona Pavilion to the Serpentine Gallery's annual summer pavilions designed by architects such as Toyo Ito, Zaha Hadid and Rem Koolhaas, the production of pavilions has been at the forefront of architectural experimentation. Because of their temporary nature and loose functional requirements, pavilions can be realised as a pure expression of the way in which building materials are manufactured, organised, managed and assembled. People might not automatically categorise pavilions as great works of architecture, but they have nonetheless provided a vital platform for challenging current practice and making it evolve into the future. Created as part of the 2008 tenth anniversary celebrations of the Design Research Laboratory, the AA DRL TEN Pavilion is one of those built projects that push the conventions in architecture and structural engineering as well as the building materials industry. A fullscale construction built by a group of students as part of their academic activities, the pavilion was conceived as a way of bringing together digital explorations in architectural design with state-of-the-art manufacturing processes and advanced structural calculations based on non-linear stress analysis.
A Right To Difference

A Right to Difference

The Architecture of Jean Renaudie Iréné Scalbert In France no less than in Britain, the late 1960s saw a rebellion against the relentless anonymity of modernist planning. In the search for alternatives, Jean Renaudie showed an originality and a daring unrivalled up to this day. Conceived along structuralist principles, informed by research in molecular biology, his urban projects overturned the logic of the vast housing estates that were being steamrolled across France by the State. In the place of uniform tower blocks, he designed developments in which every dwelling was unique. Diversity - the spanner in the works of mass production - was for him a moral obligation. No concession was made in the name of type, be it human or architectural.
20/20: Editorial Takes On Architectural Discourse

20/20: Editorial Takes on Architectural Discourse

Kirk Wooller 20/20: Editorial Takes on Architectural Discourse brings together editors from 20 leading contemporary architectural magazines to discuss collectively the role editors play in shaping architectural discourse. Each of the contributors has responded to a set of 20 questions on the multiple conditions under which particular ideas and words enter architectural discourse through publication. The resulting critical positions and observations are as diverse as the magazines from which they originate, and range from the oldest student-edited journal (Perspecta) to a research collective that at the time of writing was on the cusp of being launched ([bracket]). 20/20 is a timely publication that provides today's architectural reader with concise viewpoints from the editors behind the magazines behind architectural culture. With the contribution of Neyran Turan See Preview on issuu
Agri-Cultures, Agro-Cities, Eco-Productive Landscapes

Agri-Cultures, Agro-Cities, Eco-Productive Landscapes

Agricultural Parks as Key Studies: Barcelona-Llobregat, Liguria-Albenga Manuel Gausa, Nicola Canessa

The research represented in these pages aims to introduce a strategic approach to the environmental importance and to a functional revaluation of large agricultural areas within the current city and its operational reactivation. The evolution of the urban-territorial city and our occupied environments produced of matters regarding the relations City-nature, City-Nature-Landscape and a change of perspective between the urban, physical and social dimension and the largest agricultural-landscape and agricultural-environmental system in the context within which the city redefines and develops itself.
Landscape As Territory

Landscape as Territory

A Cartographic Design Project Clara Olóriz Sanjuán Landscape as Territory is a cartographic book project that critically addresses the agency of architects in the so-called 'Urban Age,' understanding the notion of 'territory' as a field of design praxis through which interconnected landscapes are produced. Territory, understood as a 'political technology,' has the capacity to involve architects and designers into complex social, political, technical, legal, strategic and economic processes that are both historical and geographical engines of contemporary urbanization. Territorial praxis is interrogated in a collection of threaded theory and design contributions where essays pose key questions that are addressed through projective cartographies, unfolding arguments related to three sections: (1) territory, (2) critical cartographies and (3) agency. This material intends to raise awareness about the consequential production of landscapes through territorial processes and urges a critical re-appropriation of cartographic tools, accomplice in the production of territories, and to question and expand the architect's agency. EBOOK EDITION
0
Your Cart is empty
Back To Top