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Manifest Destiny

Manifest Destiny

A Guide to the Essential Indifference of American Suburban Housing Jason Griffiths On 18 October 2002 Jason Griffiths and Alex Gino set out to explore the American suburbs. Over 178 days they drove 22,383 miles, made 134 suburban house calls and took 2,593 photographs. In Manifest Destiny, Griffiths reveals the results of this exploration. Structured through 58 short chapters, the anthology offers an architectural pattern book of suburban conditions all focused not on the unique or specific but the placeless. These chapters are complemented by an introduction by Griffiths and an afterword by Swiss architectural historian Martino Stierli.
AA Agendas 9:Making Pavilions

AA Agendas 9:Making Pavilions

Martin Self , Charles Walker (eds.) Over the past six years the students of the Architectural Association's Intermediate Unit 2 have designed and built a series of experimental pavilions. Structured to follow a year in the life of the unit, this book presents the processes of the pavilions' design and production, from concept ideas to workshop fabrication. Essays by the unit's tutors, Charles Walker and Martin Self, explain the ambitions and pedagogic basis of the programme, rooted in the idea of experiential learning. Through the voices of students, tutors and anonymous critics, both the educational validity of this innovative design-build programme and its architectural output is explored.
In Search Of A Forgotten Architect

In Search of a Forgotten Architect

Lilly Dubowitz Stefan Sebök was a Hungarian-born architect who worked with Walter Gropius in Dessau and Berlin in the late 1920s. The book is the result of the research of Sebök's niece, Lilly Dubowitz, who has meticulously pieced together clues and details of her uncle's life. He went on to work with fellow Hungarian emigré László Moholy-Nagy on his famous Light Prop, and later still moved to the Soviet Union to work with the constructivist architects Ginzburg, the Vesnin brothers and El Lissitzky. In between he carried out numerous projects of his own and found himself central to a key generation of emerging modern architects in Dresden, Berlin and Moscow. The book gives a compelling account of the gradual elucidation of a once forgotten architect. The text is accompanied not only by numerous illustrations of Sebök's design work, but by essays on the Hungarian and Soviet context by historians Eva Forgacs and Richard Anderson.
God & Co

God & Co

François Dallegret Beyond the Bubble François Dallegret, Lauren Stalder, Thomas Weaver God & Co is published to accompany the exhibition of the work of the French Montreal-based artist and architect François Dallegret (1937–) .Dallegret's own life and work denies anything so predictable as a neat synopsis, but in essence his work, beginning in Paris in the late 1950s and early 60s, and later taking in New York and Montreal, absorbs everything from intricate line drawings for a series of astrological vehicles and designs for a number of machines (from those that assist in cooking a meal to others that generate literature) to the 'A Home Is Not a House' collaboration with the critic Reyner Banham; a drugstore/gallery in Montreal; proposals for a new Montreal Palais Metro; designs for chairs, more cars and yet more machines; a film collaborative set up to shoot a western; contributions to the Montreal 67 Expo; engraved bars of soap; subversive credit cards; 'ironique' villas and light installations. The book will illustrate a great many of these works and contains essays on Dallegret's life and legacy by the historians Alessandra Ponte and Laurent Stalder.
Glass Ramps/Glass Wall

Glass Ramps/Glass Wall

Deviations from the Normative: Alfred Lerner Hall, Columbia University Bernard Tschumi Tschumi's Alfred Lerner Hall is a turbulent mixture of the conventional and the innovative. Its opaque, masonry-clad wings respond to the traditional materials and massing of the Columbia University campus, while its transparently clad middle develops as a spectacular multitiered system of glass ramps. Designed in collaboration with a team of engineers, including Hugh Dutton, the glass ramps and the glass wall are intersupporting. Together they form a central hub of circulation, an event space that registers the dilation and contraction of structural and social flows. In the words of Jesse Reiser, Alfred Lerner Hall 'signals a crucial turning point in Tschumi's oeuvre. While a legacy of built and unbuilt works beginning with the Manhattan Transcripts prioritized the programmatic as an irreducible condition to architecture, Lerner Hall inverts this logic, foregrounding physicality instead.' Glass Ramps/Glass Wall documents in full the making of this complex building, from early concept sketches to structural diagrams and final construction photos.
Exhibition Prosthetics

Exhibition Prosthetics

Conversation with Hans Ulrich Obrist and Zak Kyes Joseph Grigely Exhibition Prosthetics by Joseph Grigely explores the artist's use of language and images as a means of representation that further the reach of the real. Grigely uses the term 'exhibition prosthetics' to describe an array of these conventions, particularly (but not exclusively) in relation to exhibition practices. Exhibition Prosthetics is the first in the Bedford Press Editions series of artist's books edited by Zak Kyes. The series will engage with publications as a primary medium of practice, enabling artists to explore the inherent constraints and possibilities of the printed document.
DRL Ten

DRL Ten

A Design Research Compendium Tom Verebes DRL TEN evaluates the first decade of the AA's acclaimed post-professional masters programme in architecture and urbanism, the Design Research Lab. Since 1997 the programme has championed a project-based and research-driven approach to design, continually reinventing itself across successive design research agendas. The book reflects upon the DRL;s collaborative teaching and learning methods, which have contributed to the wholesale re-formulation of contemporary architectural practice during a decade in which digital communication, information, design and production technologies have gone from being nascent and emerging to being embedded in new forms of networked architectural education and practice. Understanding this (r)evolution is fundamental to the DRL's pursuit of innovation and the role design research plays in contemporary design culture. The structure of this book elaborates on how the programme has evolved the terms of design as a form of research over the last decade, with chapters focusing on the DRL's research agendas, topics, curricula, documents, media, methods and tools as well as a selection of work by its 350 graduates.
Beyond The Minimal

Beyond the Minimal

Author: Otto Kapfinger Beyond the Minimal presents four of the most interesting practices in Austria today: Artec, Adolf Krischanitz, PauHof and Riegler-Riewe. Certain qualities of formal reduction are evident in the work of all four architects, but none of them equates minimalism with negation or absence, in the sense that the term has been used in writings on architecture. They have been brought together because of the affinities in their approach –their common interest in materials, structure and the contribution of the building to the larger environment. Each practice is represented by a survey of around a dozen projects, including houses, schools, offices and exhibition pavilions. The survey is complemented by texts that link the work to broader developments in European (particularly Swiss) architecture.
Beyond Entropy

Beyond Entropy

When Energy Becomes Form Stefano Rabolli Pansera This book marks the conclusion of the AA School's Beyond Entropy research cluster, and is produced in tandem with an exhibition on show at the AA in May 2011.The theme of the book derives from the urgency with which the idea of energy has been raised in recent years in political, economic and scientific debates. The book charts the efforts of architects to reappropriate this theme and to address the debate in a wider cultural sphere.
Berlin Free University

Berlin Free University

Gabriel Feld Transgressing the distinct boundaries of architecture and urbanism, Berlin Free University is a unique imagination of what a building might be –a building designed to function as a piece of the city, adapting to the needs of its users while generating opportunities for social interaction. The university offers a window into the politicized and optimistic discourse of the 1960s and 1970s, but it also illuminates contemporary debates around large projects of infrastructure and public space. It is, in the words of Peter Smithson, 'one of the two critical building-events of the second half of this century'. The publication contains specially commissioned photographs, archive material, construction details and plans. The visual survey is completed by essays that describe the building's conception and system of construction, and analyse the reasons for its enduring importance.
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