Reiser Umemoto O-14: Projection and Reception explores the groundbreaking exo-skeleton office tower in Dubai by New York-based architects, Reiser Umemoto. This monograph will not only provide exhaustive documentation of O-14's design and construction but delves further into the complex interrelationships this architectural model weaves between technology, expression and politics in the context of the 'nowhere place' of the global city. The book is both an account of a design's realisation and a manifesto, and contains Jesse Reiser's explanatory and theoretical texts on the tower as well as a number of critical essays.

A Guide to the Essential Indifference of American Suburban Housing Jason Griffiths On 18 October 2002 Jason Griffiths and Alex Gino set out to explore the American suburbs. Over 178 days they drove 22,383 miles, made 134 suburban house calls and took 2,593 photographs. In Manifest Destiny, Griffiths reveals the results of this exploration. Structured through 58 short chapters, the anthology offers an architectural pattern book of suburban conditions all focused not on the unique or specific but the placeless. These chapters are complemented by an introduction by Griffiths and an afterword by Swiss architectural historian Martino Stierli.

Martin Self , Charles Walker (eds.) Over the past six years the students of the Architectural Association's Intermediate Unit 2 have designed and built a series of experimental pavilions. Structured to follow a year in the life of the unit, this book presents the processes of the pavilions' design and production, from concept ideas to workshop fabrication. Essays by the unit's tutors, Charles Walker and Martin Self, explain the ambitions and pedagogic basis of the programme, rooted in the idea of experiential learning. Through the voices of students, tutors and anonymous critics, both the educational validity of this innovative design-build programme and its architectural output is explored.

Deviations from the Normative: Alfred Lerner Hall, Columbia University Bernard Tschumi Tschumi's Alfred Lerner Hall is a turbulent mixture of the conventional and the innovative. Its opaque, masonry-clad wings respond to the traditional materials and massing of the Columbia University campus, while its transparently clad middle develops as a spectacular multitiered system of glass ramps. Designed in collaboration with a team of engineers, including Hugh Dutton, the glass ramps and the glass wall are intersupporting. Together they form a central hub of circulation, an event space that registers the dilation and contraction of structural and social flows. In the words of Jesse Reiser, Alfred Lerner Hall 'signals a crucial turning point in Tschumi's oeuvre. While a legacy of built and unbuilt works beginning with the Manhattan Transcripts prioritized the programmatic as an irreducible condition to architecture, Lerner Hall inverts this logic, foregrounding physicality instead.' Glass Ramps/Glass Wall documents in full the making of this complex building, from early concept sketches to structural diagrams and final construction photos.

Conversation with Hans Ulrich Obrist and Zak Kyes Joseph Grigely Exhibition Prosthetics by Joseph Grigely explores the artist's use of language and images as a means of representation that further the reach of the real. Grigely uses the term 'exhibition prosthetics' to describe an array of these conventions, particularly (but not exclusively) in relation to exhibition practices. Exhibition Prosthetics is the first in the Bedford Press Editions series of artist's books edited by Zak Kyes. The series will engage with publications as a primary medium of practice, enabling artists to explore the inherent constraints and possibilities of the printed document.

A Design Research Compendium Tom Verebes DRL TEN evaluates the first decade of the AA's acclaimed post-professional masters programme in architecture and urbanism, the Design Research Lab. Since 1997 the programme has championed a project-based and research-driven approach to design, continually reinventing itself across successive design research agendas. The book reflects upon the DRL;s collaborative teaching and learning methods, which have contributed to the wholesale re-formulation of contemporary architectural practice during a decade in which digital communication, information, design and production technologies have gone from being nascent and emerging to being embedded in new forms of networked architectural education and practice. Understanding this (r)evolution is fundamental to the DRL's pursuit of innovation and the role design research plays in contemporary design culture. The structure of this book elaborates on how the programme has evolved the terms of design as a form of research over the last decade, with chapters focusing on the DRL's research agendas, topics, curricula, documents, media, methods and tools as well as a selection of work by its 350 graduates.