Concerning…Land

Alan Dempsey and Yusuke Obuchi (eds) From Mies van der Rohe's 1929 Barcelona Pavilion to the Serpentine Gallery's annual summer pavilions designed by architects such as Toyo Ito, Zaha Hadid and Rem Koolhaas, the production of pavilions has been at the forefront of architectural experimentation. Because of their temporary nature and loose functional requirements, pavilions can be realised as a pure expression of the way in which building materials are manufactured, organised, managed and assembled. People might not automatically categorise pavilions as great works of architecture, but they have nonetheless provided a vital platform for challenging current practice and making it evolve into the future. Created as part of the 2008 tenth anniversary celebrations of the Design Research Laboratory, the AA DRL TEN Pavilion is one of those built projects that push the conventions in architecture and structural engineering as well as the building materials industry. A fullscale construction built by

Theo Lorenz, Peter Staub (eds.) Given today's multitude of demands on the built environment, the role of the architect has extended from being a mere designer and builder to acting as a mediator within a much larger network of expertise. This mediation takes place on multiple levels –within the building industry, between public, clients and designers, and between public, clients and designers, and between the actual design and its environment. To achieve this, the field of work, the tools of design and the representation of architects needs to develop. The architect has to design the design process itself. Mediating Architecture demonstrates the extended role of the architect through the applied work of AA's Diploma Unit 14 within London's Thames Gateway over three consecutive years. A series of essays reflect this methodology from the multi-disciplinary perspectives of architecture, urban design, landscape design and philosophy.

Kirk Wooller 20/20: Editorial Takes on Architectural Discourse brings together editors from 20 leading contemporary architectural magazines to discuss collectively the role editors play in shaping architectural discourse. Each of the contributors has responded to a set of 20 questions on the multiple conditions under which particular ideas and words enter architectural discourse through publication. The resulting critical positions and observations are as diverse as the magazines from which they originate, and range from the oldest student-edited journal (Perspecta) to a research collective that at the time of writing was on the cusp of being launched ([bracket]). 20/20 is a timely publication that provides today's architectural reader with concise viewpoints from the editors behind the magazines behind architectural culture. With the contribution of Neyran Turan See Preview on issuu