Reyner Banham

A Forward Minded Retrospective Cedric Price Works 1952-2003: A Forward-Minded Retrospective by Samantha Hardingham is a two-volume anthology, co-published by the Architectural Association (AA) and the Canadian Centre for Architecture (CCA), and is supported by the Graham Foundation and the Cedric Price Estate. The books bring together for the first time all of the projects, articles and talks of British architect Cedric Price, aiming to present his munificence as thinker, philosopher and designer. A student at the AA in the 1950s, Price established his office in London in 1960 and went on to produce some of architecture's most intensely imaginative and experimental projects of the latter half of the 20th century. His work is central in defining architectural discourse around the emerging postwar themes of mobility and indeterminacy in design. With the contributions of Eleanor Bron, Brett Steele, Mirko Zardini Supported by The Cedric Price Estate and The Graham Foundation, 2016. Recipient of The Festival

Selected Essays of Dennis Sharp Dennis Sharp To commemorate the life and work of Dennis Sharp (1933–2010), Sharp Words collates together a variety of essays that touch upon each of his architectural fascinations –among them, glass architecture, picture palaces, masters of concrete and English modernism. Punctuating these texts are a number of editorials from his days as editor of AAQ, which graphically as much as intellectually offer emblems of his time at the AA.

Lilly Dubowitz Stefan Sebök was a Hungarian-born architect who worked with Walter Gropius in Dessau and Berlin in the late 1920s. The book is the result of the research of Sebök's niece, Lilly Dubowitz, who has meticulously pieced together clues and details of her uncle's life. He went on to work with fellow Hungarian emigré László Moholy-Nagy on his famous Light Prop, and later still moved to the Soviet Union to work with the constructivist architects Ginzburg, the Vesnin brothers and El Lissitzky. In between he carried out numerous projects of his own and found himself central to a key generation of emerging modern architects in Dresden, Berlin and Moscow. The book gives a compelling account of the gradual elucidation of a once forgotten architect. The text is accompanied not only by numerous illustrations of Sebök's design work, but by essays on the Hungarian and Soviet context by historians Eva Forgacs and