NESS is a printed magazine on architecture, life, and urban culture which intends to address diverse ways of thinking about the built environment and singular phenomena while expanding and transforming contemporary dialogues.
BUYING THE NESS COLLECTION –> Superhumanity AS A GIFT
9781732010604 NESS. On Architecture, Life, and Urban Culture 1 – Issue 1/ Between Cozy History & Homey Technics
9781732010628 NESS. On Architecture, Life, and Urban Culture 2 – Issue 2/ Mad World Pictures
9781732010611 NESS.docs – Issue 1/ Hashim Sarkis Studios 1998 – 2017
NESS Issue 1 on Between Cozy History & Homey Technics warms up with a selection of the nine installations that rocked 2017 and further browses through the work of Eleni Petaloti & Leonidas Trampoukis, whose sibling practices—LOT and objects of common interest—shift from one scale to another with subtle sophistication. Plus, Berlin-based architect Lena Wimmer presents her utmost experimental projects. Next, NESS headed to Detroit and dedicates a 38-page survey to draw a portrait of the city through their own curious and questioning lenses. The editors went to the Planning and Development Department and talked to authorities, designers, architects, community representatives, and developers shaping the former Motor-City.
NESS Issue 2 focuses on planetary representations: Mad World Pictures. Picking up on the question “What are the limits to the possible?” posed by Jean-Luc Nancy, The Dossier places the issue of planetary representations at center: Richard Saul Wurman recounts maps as a tool for understanding; Alexandra Arènes and Bruno Latour develop new cartographies of The Earth; Giuliana Bruno defines ‘tender mapping; the exhibition Walls of Air drafts the immaterial barriers of Brazil’s architecture and territory; and Fake Industries speculate on the sudden invention of the Indo-Pacific Region. Also, Uriel Fogué, Parasite Lab, María Jérez, Jesse LeCavalier, and Sophia Al Maria dared to play with an exquisite corpse via email.
NESS.docs Issue 1 on Hashim Sarkis Studios has two parts: Projects and Dialogues. The first section includes enticing visual documentation on HSS’s projects (Balloon Landing Park, Housing for the Fishermen, Daily Mosque, Town Hall & Park, Float Pavilion, Watermelon Landscape, and Courtowers) complemented by critical remarks by Nader Tehrani and Sarkis. In the Dialogues section issues an interview to Sarkis by editors, Florencia Rodriguez and José Mayoral, a conversation between Angelo Bucci and Sarkis, and a discussion between Stan Allen, Kenneth Frampton, and Sarkis.