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Category: New title

Imminent Commons Compendium (4 vol)

Imminent Common Pack

Seoul Biennale of Architecture and Urbanism 2017

Alejandro Zaera- Polo,  Hyungmin Pai, Others

 This compendium assembles 4 volumes that explore city commons through the works presented at the Seoul Biennale 2017. The first book shows an exploration not of distant utopias, but of the very near future, because the emerging commons is changing the way we connect, make, move, recycle, sense, and share, and the way we manage air, water, energy and the earth. The second book presents contemporary urbanism thoughts on nine imminent commons, which engage collective ecological and technological resources relevant to all cities and even extra-urban territories. The third book sets up a dialogue on the current state and near future of cities of the world through the lens of public initiatives, projects, and urban narratives. The fourth book highlights Seoul’s complex urban fabric as a theatre on which the Seoul Biennale was played out.

4 Vol. inlcluded
9781945150517 IMMINENT COMMONS: URBAN QUESTIONS FOR THE NEAR FUTURE 
9781945150647 IMMINENT COMMONS : THE EXPANDED CITY
9781945150661 IMMINENT COMMONS: COMMONING CITIES
9781945150920 IMMINENT COMMONS: LIVE FROM SEOUL

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Alejandro Zaera- Polo,  Hyungmin Pai, Others (ed.)

Illustrations: Color
Cover: Hard cover
Publication date: May 2019
ISBN: English 978 -1-948765-28-2
Price: 115€  (140€)/ $130 (160$)  / £101 (£124)

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New Investigations in Collective Form

Cover

Neeraj Bhatia, Pier Vittorio Aureli, Peggy Deamer, Clare Lyster, Keith Krumwiede, Jenny Odell, Albert Pope, Rafi Segal, Charles Waldheim.

New Investigations in Collective Form presents a group of design experiments by the design-research office The Open Workshop, that test how architecture can empower the diverse voices that make up the public realm and the environments in which they exist. Today, society continues to face urban challenges—from economic inequality to a progressively fragile natural environment—that, in order to be addressed, require us to come together in a moment when what we collectively value is increasingly difficult to locate. Organized into five themes for producing collectivity—Frameworks, Articulated Surfaces, the Living Archive, Re-Wiring States, and Commoning—the projects straddle the fine line between the individual and collective, informal and formal, choice and control, impermanent and permanent.

In 1964, Fumihiko Maki published his seminal text, Investigations in Collective Form, which he framed as the beginning of a vast inquiry on collective form. In the text, a young Maki grapples with the role of urban design and the urban designer, who is “charged with giving form” to the city. The emerging challenges Maki witnessed for the urban designer resided in the series of recent changes to the urban realm, including the “coexistence and conflict of amazingly heterogeneous institutions and individuals; unprecedented rapid and extensive transformations in physical structure of society; rapid communications methods; and technological progress and its impacts upon regional cultures”. What Maki so eloquently pointed out was the need for the designer to now think simultaneously about dynamic cycles, time, and transformations, which he termed “the master program” and as well as how form (or in Maki’s terms, the “master form”) responded to these temporal scenarios. This shift demanded by Maki in the role of the architect was indeed a profound one, as the architect’s role throughout history had been to determine lines that ordered the world. We could say that the majority of architecture and urban design of the twentieth century aimed to tame the contradictory, heterogeneous, and contingent urban environment, both physically as well as socio-politically. In the past two centuries, as cities have rapidly expanded into vast urban territories that are organized through the negotiation of politics, economics, and cultural values, the ability to determine such lines of order has become progressively more complex and suspect. Instead of controlling and assimilating the individual and the natural environments they inhabit, the design-research of The Open Workshop is focused on understanding how design can embrace the diversity and indeterminacy of the urban realm.

New Investigations in Collective Form expands upon Maki’s three approaches to collective form—composition form, the megastructure, and group form. The Open Workshop’s design-research projects examine how the human and environmental subject and their individual, transforming, ephemeral, and often contradictory characteristics continuously recompose a permanent work. These approaches include Living Archives, Rewiring States, Commoning, Articulated Surfaces, and Frameworks. Living Archives and Rewiring States are time-based approaches; Commoning is an organizational and programmatic technique; while Articulated Surfaces and Frameworks are form-based. Living Archives insert the contemporary subject into the making of the archive, redefining this space as an evolving cultural project that connects us to a longer lineage of what we have collectively inherited and will pass down. Rewiring States inserts architectural form in precise relationship to various ‘states’—time, temperature, materiality, form—of processes—logistical, industrial, and infrastructural—to rewire the these systems for new socio-political actors. Commoning examines the how to share and manage resources to enable user-managed governance. Articulated Surfaces leverage the flexibility of the generic surface and test how the time-based management of impermanent processes can more fully choreograph difference, expression, identity, and scale. Frameworks are legible geometric structures that are activated by transformations from indeterminate human and environmental factors. In each approach, design is not lost but rather re-centered on orchestrating the negotiation between indeterminate subjects and determined form. It is the richness of the dynamic subject evolving through time that is foregrounded but only understood through the collective framework of architecture.

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Authors:  Neeraj Bhatia, Pier Vittorio Aureli, Peggy Deamer, Clare Lyster, Keith Krumwiede, Jenny Odell, Albert Pope, Rafi Segal, Charles Waldheim.

Editors:  Neeraj Bhatia

Size: 20.3 x 20.3 cm / 8 x 8 in.
Pages: 192
Illustrations: Color
Cover: Hardcover
Publication date: April 2019
Published By: Actar Publishers / CCA ARCHITECTURE BOOKS
ISBN: English 978-1-948765-16-9
Price: 32 € / $39.95 / £36

Un-Conscious-City

UN-C-CITY_COVER_DEF_24-01-19

Wiel Arets

No one demands that people move to cities; people tend to do so, on their own. People choose to move to cities for opportunity. Such choices are often made unconsciously, as they are based on rules, traditions, and local communities–or a combination of all three. Un-Conscious-City explores and unravels Dutch architect Wiel Arets’ kaleidoscopic viewpoints on the ways the collective, unconscious decisions taken by the world’s citizens throughout time–a process that remains invisible to the naked eye–are now working to transform and shift the physical, sensory, and emotional experiences of human beings, as they navigate and live in today’s metropolises as well as the countryside. People tend to only belong to one religion, one society, or one club–which completely defines their existence. One day most human beings will live in a global­nomadic-urban-condition; this will soon be amplified to unknown heights. Un-Conscious-City raises questions, predicaments, and ideals regarding the future of our cities, while recognizing their limitations. Wiel Arets–renowned architect, writer, and thinker–identifies this condition as the Un-Conscious-City.

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Author: Wiel Arets

Editor: John Bezold

Size: 16.5 x 24 cm. / 6.5 x 9.5 in.
Pages: 278
Illustrations: Color
Cover: Softcover
Publication date: March 2019
ISBN: English 978-1-945150-65-4
Price: 32 € / $34.95 / £30

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Buildings and Almost Buildings

Eric Bunge, Mimi Hoang, nARCHITECTS

Buildings and Almost Buildings explores the work of nARCHITECTS as a single project – an anti-monograph with a subtle manifesto about the open-ended, incomplete, and ambiguous in architecture.

Is architecture inherently complete? Or is it a state of incompletion and seeming inadequacy that incites us to imagine architecture as an armature for an ever-changing daily life? Buildings and Almost Buildings explores the work of nARCHITECTS as a single project – an anti-monograph with a subtle manifesto about the open-ended, incomplete, and ambiguous in architecture. Structured around a variety of modes of representation specially prepared for the book, Buildings and Almost Buildings reveals the ways in which the celebrated New York office led by Eric Bunge and Mimi Hoang addresses contemporary issues of a world in flux. Across a range of buildings, public spaces, and ephemeral installations, nARCHITECTS argues for the formal and social potential of an architecture that remains somehow incomplete and ambiguously perceived—or in the authors’ words, Almost Buildings.

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Authors:  Eric Bunge, Mimi Hoang, nARCHITECTS

Size: 18 x 24 cm / 7 x 9.5 in.
Pages: 400
Illustrations: Color
Cover: Softcover
Publication date: Jamuary 2019
Published By: Actar Publishers
ISBN: English 978-1-948765-08-4
Price: 35 € / $39.95 / £32

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Gran Mediterraneo

Project, Process, Progress

David Tajchman

David Tajchman's first book about a self-initiated architectural research for a White City-specific High-Rise: the Gran Mediterraneo. Gathering working documents, sketches and rare pictures in an object specifically designed by graphic designer and art director Sara Jassim.

In 2016, architect David Tajchman made public a self-initiated high-rise proposal on which he worked in secret during a few months. He decided to propose a new typology of skyscraper, more city-specific for Tel Aviv. Based on his previous observations that a new skyline is appearing in the White City, which according to his experience of the city and his knowledge of the local architectural history, does not take enough into account the 1930s and later Brutalist legacies. His yet unbuilt (but surely to get built) skyscraper is a spontaneous proposal from a foreign architect to the local decision makers, to open their eyes and their mind to other visions, for a more Tel Aviv-specific vertical architecture. The  Gran Mediterraneo  has been widely published as an architectural innovation and has won several awards gaining international recognition, with the recent Architizer A+ Awards 2017 received in New York.
During the design process, David sketched, wrote, read and photographed about the various topics involved into his high-rise proposal. This book is an opportunity to share his references, background, research documents, notes, drawings and working (3d) models. The book was first an exhibition-catalogue, presented last September 2016 in Paris in the framework of a solo show entitled « Gran Mediterraneo – Project Process Progress ». It contains archive documents on different topics and texts from invited contributors.

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Author:  David Tajchman

Size: 13,5 x 22,5 CM / 5.3 x 8.85 in.
Pages: 200
Illustrations: Color
Cover: Hardcover
Publication date: December 2018
Published By: Actar Publishers
ISBN: English 978-1-9487650-1-5
Price: 30 € / $34.95 / £27

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Layered Landscapes Lofoten

Understanding of Complexity, Otherness and Change

Magdalena Haggärde, Gisle Løkken

This book discusses approaches towards landscapes under pressure and transformation, and the importance of unprejudiced and experimental investigations to reveal its natural and cultural complexity.

Layered Landscapes Lofoten, Understanding of Complexity, Otherness and Change aims to challenge internalized concepts about how landscapes are considered and investigated, to open for alternative research, and legitimize subjective, singular and experimental approaches as valid and appreciated as a foundation for an informed process. These approaches take into consideration both the landscape and the practices taking place in the landscape, that are consistently full of individual and collective stories and experiences —the complexity created in both time and space, which influences our societies not only as traces of historical events, but as present realities and even expectations and what is to become.

Under the concepts of complexity, imbrication, vulnerability, fieldwork, flexibility and reorientation ideas are developed, all based in the contemporary and historic layers of the dramatic and contested landscapes of the Lofoten Islands in Northern Norway —where pressure from political decisions and structural changes, increasing tourism, a potential new oil industry and uncontrollable global forces’ impact on nature and societies and cause continuous transformation and alteration of landscapes and topography, surrounding the traditional and modern fishing communities.

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Editors:  Magdalena Haggärde, Gisle Løkken

Size: 16 x 24 cm / 6.3 x 9.5 in.
Pages: 388
Illustrations: Color
Cover: Softcover
Publication date: December 2018
Published By: Actar Publishers
ISBN: English 9781948765060
Price: 35 € / $39.95 / £32

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GSD Platform 11: Setting the Table

Platform11_cover_HR_cover

Esther Mira Bang, Lane Raffaldini Rubin, Enrique Aureng Silva

Platform 11 is the 2017–2018 installment of Platform, the annual compendium documenting select student work, events, lectures, and exhibitions at the Harvard University Graduate School of Design.

Platform represents a year in the life of the Harvard University Graduate School of Design. Produced annually, this compendium highlights a selection of work from the disciplines of architecture, landscape architecture, urban planning and design, and design engineering. It exposes a rich and varied pedagogical culture committed to shaping the future of design. Documenting projects, research, events, exhibitions, and more, Platform offers a curated view into the emerging topics, techniques, and dispositions within and beyond the Harvard GSD.

In Setting the Table, the first student-led installment of the series, editors Esther Mira Bang, Lane Raffaldini Rubin, and Enrique Aureng Silva assemble a diverse body of work and cut it up—reinterpreting, rearranging, and ultimately composing a poetry revealed in each retelling.

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Editors: Esther Mira Bang, Lane Raffaldini Rubin, Enrique Aureng Silva

Size: 19.05 x 25.4 cm / 7.5 x 10.5 in.
Pages: 320
Illustrations: Color
Cover: Softcover
Publication date: November 2018
Published By: Actar Publishers, Harvard University Graduate School of Design
ISBN: English 978-1-948765-10-7
Price: 30 € / $34.95 / £28

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Echos

University of Cincinnati School of Architecture and Interior Design

Mara Marcu

The publication captures the work done at the University of Cincinnati School of Architecture and Interior Design while showcasing student work, faculty research, co-op stories, study abroad programs, and snapshots from the many events happening at our school.
ECHOS is a platform for simultaneous conversations with shared ethos at UC SAID. Various constellations begin to surface and map our diverse milieu of academic and social interactions that revolve around the following five main themes: anxiety, praxis, trope, chreod, and utopia. Introduced by a series of analytical diagrams which are paired up with essays by lead figures in the discipline, the themes expand on the issues of theoretical anxiety, architectural discourse, practice, typology, self-made analogies, ad hoc morphologies inherent to research, flux and reflux – that return each disruption to a steady trajectory – similar to the natural cycle of compression and release generated by our co-op program, and the fictitious, the ideal.
Anxiety collects and synthesizes among multiple contradicting theories entertaining with equanimity various solutions to design problems. Praxis looks at outcomes – may those be physical, prototypical, digital or analog, multi-dimensional and multi-media, spoken, written or unwritten – as well as working methodologies that shape design thinking. Trope begins to map out trends, emergent ideologies, and previously non-denominational design expressions. Chreod documents and interprets field conditions, rule based processes, issues of transgressions, non-smooth and nomadic entities which cut across arbolic like divisions. Utopia, while suspending various otherwise necessary constraints, allows for a euphoric and optimistic view of the world, with the goal of envisioning daring possibilities otherwise unimaginable. Utopia, therefore, foreshadows all other themes.

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Autor and Editor: Marta Macu

Size: 16,5 x 21 cm / 6.5 x 8.25 in.
Pages: 406
Illustrations: Color
Cover: Hardcover
Publication date: October 2018
ISBN: English 978-1-948765-04-6
Price: 35,00 € / $39.95 / £32

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NESS.docs

NESS.docs COVER (1)

Issue 1/ Hashim Sarkis Studios 1998 – 2017

Florencia Rodriguez, Pablo Gerson, Stan Allen, Angelo Bucci, Kenneth Frampton, Fabrizio Gallanti, Gabriel Kozlowski, José Mayoral, Luca Molinari, Hashim Sarkis, Nader Tehrani & Felipe Vera.

NESS.docs on Hashim Sarkis Studios has two parts: Projects and Dialogues. The first section includes enticing visual documentation on HSS’s projects (Balloon Landing Park, Housing for the Fishermen, Daily Mosque, Town Hall & Park, Float Pavilion, Watermelon Landscape, and Courtowers) complemented by critical remarks by Nader Tehrani and Sarkis. In the Dialogues section issues an interview to Sarkis by editors, Florencia Rodriguez and José Mayoral, a conversation between Angelo Bucci and Sarkis, and a discussion between Stan Allen, Kenneth Frampton, and Sarkis.

Architecture simultaneously responds to two parallel and seemingly contrasting inputs. First, to the internal concerns of the architect who seeks to react to his own intellectual, emotional or social preoccupations through built work. In some cases, that internal impulse inspires the architect to materialize the same interest again and again, through every work. Second, there are specific requirements for each built work: an encounter with reality and the need to consider the context, people and society, all factors which make every architectural project a highly specific venture. This secondary input provides a solution for challenges that can at first seem extremely undefined. In the case of Hashim Sarkis, such dialectic relationships are expressed throughout one consistent focus: the relationship between the sky and the ground. This relationship is present in every work despite diverse contexts, that bring singularity to every architectural project. Through his numerous built works, we have seen the many ways in which sky and ground can be constructed, framed, viewed, approached, dis-covered, and reinterpreted. A rich set of operations redefine the challenges present throughout every built work: how does a building emerge from a discrete plane and close towards the infinite sky? How do we negotiate the certainties of reality with the uncertainties of that which we cannot measure, that which is not only void, but that in its dynamic movements and constant transformations imprints upon the real? By the real, we mean the façades of buildings, the reflection of windows, and all of the internal and external attributes of the built fabric as well as those of landscapes with color, temperatures, humidity, and, of course, the passing of time that is registered in every component, except in the sky.

—Extract of Jose Mayoral & Felipe Vera’s opening essay, “Understanding a Reflective Practice: Drawing the Third Line”

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Author: Florencia Rodriguez, Pablo Gerson, Stan Allen, Angelo Bucci, Kenneth Frampton, Fabrizio Gallanti, Gabriel Kozlowski, José Mayoral, Luca Molinari, Hashim Sarkis, Nader Tehrani & Felipe Vera.

Editor: Lots of Architecture publishers, José Mayoral & Felipe Vera

Size: 21 x 29,7 cm / 8.5 x 11 in.
Illustrations: Color
Cover: SoftCover
Pages: 192
Publication date: November 2017
Published by: Lots of Architecture publishers
Languages: English
ISBN: 978-1-732010-61-1

Price: 18€ / $20 / £16

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NESS. On Architecture, Life, and Urban Culture

NESS 1 COVER

Issue 1/ Between Cozy History & Homey Technics

Florencia Rodriguez, Pablo Gerson. Stan Allen, Emanuel Christ, Daniela Freiberg, Anna W. von Huber, Sharon Johnston, Isabella Moretti, Lisa Naudin, Enrique Ramirez, Camilo Restrepo, Javier Agustín Rojas, Mariam Samur, Lisa Ubelaker Andrade, Jesus Vassallo, Lena Wimmer, Mimi Zeiger.

Lots of Architecture Publishers introduces NESS: a magazine on Architecture, Life, and Urban Culture.

For the Spring 2018 issue, NESS warms up with a selection of the nine installations that rocked 2017 and further browses through the work of Eleni Petaloti & Leonidas Trampoukis, whose sibling practices—LOT and objects of common interest—shift from one scale to another with subtle sophistication. Plus, Berlin-based architect Lena Wimmer presents her utmost experimental projects.

Next, NESS headed to Detroit and dedicates a 38-page survey to draw a portrait of the city through their own curious and questioning lenses. The editors went to the Planning and Development Department and talked to authorities, designers, architects, community representatives, and developers shaping the former Motor-City.

In the Dossier section, “Between Cozy History and Homey Technics”, architects, critics, and thinkers were asked to provocatively discuss the intellectual and pragmatic set of tools at hand: Stan Allen and Jesus Vassallo talk about photography and the built environment as a filter of abstraction; Enrique Ramirez and Mimi Zeiger reflect on the aesthetics—or lack thereof—in contemporary representation technics; Emanuel Christ and Camilo Restrepo imagine the type as a vehicle for ideas to travel through building cultures; and Sharon Johnston and Florencia Rodriguez exchange views on curating in architecture. Lastly, NESS crew flew to Chicago, Vienna, Seoul, and Valparaiso to review the latest events and reflect upon the biennial phenomenon.

And, finally in Documents, NESS sat down with two acclaimed architecture offices: French Bruther and New York-based SO – IL to get to know each of their practice, processes, and projects in a comprehensive interview, detailed drawings and photographs.

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Author: Florencia Rodriguez, Pablo Gerson. Stan Allen, Emanuel Christ, Daniela Freiberg, Anna W. von Huber, Sharon Johnston, Isabella Moretti, Lisa Naudin, Enrique Ramirez, Camilo Restrepo, Javier Agustín Rojas, Mariam Samur, Lisa Ubelaker Andrade, Jesus Vassallo, Lena Wimmer, Mimi Zeiger.

Editor: Florencia Rodriguez & Pablo Gerson

Size: 21 x 29,7 cm / 8.5 x 11 in.
Illustrations: Color
Cover: SoftCover
Pages: 224
Publication date: July 2018
Published by: Lots of Architecture publishers
Languages: English
ISBN: 978-1-732010-60-4
Price: 18€ / $20 / £16

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